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Posted by John Scalzi

Yesterday evening, I and author, political candidate and former NFL player Chris Kluwe got together at Ann Arbor’s Downtown Library to talk about books, libraries, politics and the general state of the world, among other topics. And they recorded it! And put it on the Internet! And you can see it above. The conversation starts at about the 8:50 minute mark and runs about an hour, including audience Q&A. Enjoy.

Gaming

Jan. 30th, 2026 02:55 am
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[personal profile] ysabetwordsmith
Roll for resistance: How a fantasy game defended the commons

In 2023, the world’s most popular role-playing game, Dungeons and Dragons (D&D), faced a rebellion. This wasn’t brought on by imaginary goblins or dragons, but by its players.

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All the ghosts, some old, some new

Jan. 30th, 2026 01:48 am
sovay: (Viktor & Mordecai)
[personal profile] sovay
History, what do you mean that Folkways Records was founded by the son of Sholem Asch who, as one last trick after the scandals of Jewish lesbians and Christian novels, wrote a version of the Nativity recorded for his son's record label by Pete Seeger? What kind of concatenation is that to drop on an unsuspecting person? And is there a reason no artist is credited with the pen-and-ink illustrations depicting the story in 1963 even as the prose sticks to its historical setting, which are maddening me with their sketch-expressive familiarity, although perhaps only because my grandmother had that kind of loose, scribbly, ink-washed line? Ben Shahn at least had the decency to sign his album art. The Claibornes' "Listen, Mr. Bilbo" could have had the luck to lose its relevance since 1946. History, the other kind of convergence was more fun. Listen while I tell you that the foreigners you hate are the very same people made America great.
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
This month's theme was "Short Forms." I wrote from 1:15 PM to 4 AM, so about 12 hours 45 minutes, allowing for lunch and supper breaks. I wrote 12 poems on Tuesday plus 15 later in the week.

Participation was down slightly, with 13 comments on LiveJournal and another 25 on Dreamwidth. A total of 9 people sent prompts. There were no new prompters.


Read Some Poetry!
The following poems from the January 6, 2026 Poetry Fishbowl have been posted:
"Beneath the Sea"
"Cakes and Ale"
"Decreases"
"Done to Perfection"
"Fight Less, Cuddle More"
Haiku for Natural Monuments of Japan
"Hemma Bäst"
"lacquerware poet"

"A Fountain of Energy" (Polychrome Heroics: Rutledge, October 7, 2025 Poetry Fishbowl)


Buy some poetry!
If you plan to sponsor some poetry but haven't made up your mind yet, see the unsold poetry list from January 6. That includes the title, length, price, and the original thumbnail description for the poems still available.

This month's donors include: [personal profile] janetmiles, [personal profile] fuzzyred, and Anthony Barrette. All sponsored poems from this fishbowl have been posted. There are 2 tallies toward a bonus fishbowl.


The Poetry Fishbowl has a landing page.

Follow Friday 1-30-26: Literature

Jan. 30th, 2026 12:48 am
ysabetwordsmith: A blue sheep holding a quill dreams of Dreamwidth (Dreamsheep)
[personal profile] ysabetwordsmith
Today's theme is Literature.

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[personal profile] ysabetwordsmith
Snowflake Challenge 15: How did it go?

How Did the Fandom Snowflake Challenge Go? Post your answer to today’s challenge in your own space and leave a comment in this post saying you did it.

Did you get all you wanted to get from it? Are there things you're going to carry with you for as long as you can? Are you going to continue to challenge yourself? Continue to connect? We can't wait to hear.



Snowflake Challenge: A flatlay of a snowflake shaped shortbread cake, a mug with coffee, and a string of holiday lights on top of a rustic napkin.

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A Quick Thank You To A Kind Reader!

Jan. 29th, 2026 10:00 pm
[syndicated profile] scalziwhatever_feed

Posted by Athena Scalzi

Hey, everyone! I just wanted to take a moment to thank a reader who sent me some very lovely spices from Penzey’s. It really made my day to open a package I wasn’t expecting and get something so awesome!

Two variety boxes of Penzey's spices, each containing eight glass spice jars. Plus one free sample packet!

So many commenters have recommended this spice brand to me, so I’m stoked to try it out finally. Also, I didn’t realize they were glass jars until I actually touched them. The fact that they’re glass just makes them so much better, honestly, like how aesthetic and nice is that?

Gift giving is my love language, so it really means so much to me that someone thought of me enough to send such a kind gift. A truly perfect housewarming gift!

I won’t name them in the post, in case they don’t want the attention, but if it was you please feel free to claim your glory in the comments, you rock!

Can’t wait to whip something up with these spices, especially the more unique ones.

-AMS

Birdfeeding

Jan. 29th, 2026 02:05 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Today is partly sunny and cold.

I fed the birds. I've seen a large flock of sparrows plus a male and a female cardinal separately.

I put out water for the birds.

EDIT 1/29/26 -- I did a bit of work around the patio.

I refilled the hopper feeder. I've seen lots more birds, including two starlings at the suet cage.

EDIT 1/29/26 -- I did more work around the patio.

I've seen a mourning dove up in the trees.

EDIT 1/29/26 -- I did more work around the patio.

I've seen a pair of cardinals and a wren.

I am done for the night.

The Big Idea: Miles Cameron

Jan. 29th, 2026 05:56 pm
[syndicated profile] scalziwhatever_feed

Posted by Athena Scalzi

Author Miles Cameron is here today to introduce you to book number one of his space opera series. Though the first of many to come, there’s plenty of spaceships, drama, and war to go around, so strap in for the Big Idea of Artifact Space.

MILES CAMERON:
In 2018, I was sitting at a small SFF con in London with Alistair Reynolds, one of my favourite all-time Science Fiction authors, and I confess I was being a bit of a fan boy, telling him all about what I loved in his books, and he waited me out and then said something to the effect of ‘I hear you spent time on an aircraft carrier.’ The two of us then chatted away for half an hour about life on a carrier and how much we both thought it might be the closest thing to life on a big spaceship, when my editor (up until then I mostly wrote historical fiction and fantasy) turned around in her seat and said, ‘I’d buy that.’
When you are an author, these are very important words. I marked them down. I began to consider how I’d write a science fiction novel loosely based on ‘life on an aircraft carrier.’ Still, despite my military service, I wasn’t really interested in writing ‘military sci-fi’ per se, and I wrote myself some notes and—did other things.
A year later, I was writing a series of historical novels based in fifteenth century Venice and I became fascinated by the idea that Venice—a maritime state—built enormous (for 1450) galleys that carried on most of the trade with the Islamic world, travelling for months and even years on pre-determined routes that linked far-off lands like England and Egypt. I loved the idea that these Venetian seamen would, in the same trip, see so many disparate societies.
These ships doubled, in time of war, as major fleet elements. The idea of combined trade and military fascinated me, and Venice fascinates me still, and there it was—Great Galleys, like spaceborn aircraft carries, on long trade missions to the stars. I mean, there it was, except that it lacked a story.
I have a belief that art makes art; some of my best ideas have come to me while watching a good live play, an opera, a ballet, or a movie. I’m not sure exactly why; there’s an element fo free-association to watching people perform, I suppose—but it always works for me, and in the case of Artifact Space I was watching Florence Pugh in ‘Little Women,’ the last time I went out before COVID and lockdown here in Toronto. I sat there, watching this wonderful performance of one of my favourite books from childhood, and suddenly it was all there. I knew how I would design the human sphere to reflect Venetian trade routes; I saw how I could have the book start in a futuristic Saint Mark’s Square (the heart of Medieval Venice) and I suddenly saw my protagonist and the arc of her story. I think one of the problems of my first ‘Big Idea’ was that the aircraft carrier wasn’t a story—it was an idea. Venice in space was an idea. Both were backdrops on the way to world building. I have the good fortune to be a second-generation author, and one of my father’s favourite sayings was ‘an idea is not a book.’ True words. The aircraft carrier was not a book. Even the idea of Venice in space was not a book.
But Marca Nbaro is a protagonist with a back story and a future arc, and putting her, via Florence Pugh playing Amy March, aboard a ten-kilometre spaceship trading with aliens—it all came in a second. I knew Marca, I knew where she was going and I knew the set of secrets at the heart of the series that would drive the action. I could see the events–alien contact, Artificial Intelligence and its possible flaws, and the difficulties of a trade empire suddenly forced to act as a polity in the face of threat and change.
Good stuff. Other writers have been there before; I’m a huge fan of C.J. Cherryh and she won a Hugo writing on similar themes in Downbelow Station, one of my favourite books of all time. But I had one more ‘Big Idea’ to toss into the mix, because politics interests me and we live, right now, in ‘Interesting Times.’ I wanted humanity to be trapped in someone else’s war, bit players in a larger play, forced to make society-altering decisions just to survive. I wanted to show change, the sort of change people my age have already seen sweeping over us; technological change, societal change, political change.
Interstellar trade, giant spaceships with thousands of crew, massive political change, Alien contact, and one somewhat battered orphan trying to find her place in the universe. Sitting in the theater as the lights came up, it was, I promise you, all one Big Idea.


Artifact Space: Amazon|Barnes & Noble|Bookshop|Powell’s

Author socials: Website|Bluesky|Instagram

Yesterday I beat ARTORIAS

Jan. 29th, 2026 11:13 am
rydra_wong: Lee Miller photo showing two women wearing metal fire masks in England during WWII. (Default)
[personal profile] rydra_wong
And I am still buzzing and I am so so so proud of myself and I need to talk about it and I only know two people who know what it means.

If anyone has 80 seconds, I rec watching Symbalily's first encounter with Artorias the Abysswalker:



Like O&S, this is one of the most iconic fights in the entire Dark Souls series. But I would say it's as much of a difficulty spike again relative to them as they are to the game before them.

Context: Artorias is the great legendary hero you've been hearing about all through the base game. But now he's been defeated by the Abyss, with his left arm shattered (his sword arm, so he's fighting you by swinging a sword with his off hand) and his mind mostly gone.

(There is meta to be meta-ed about FromSoft's long line of incredibly badass disabled characters; I don't know if it's necessarily #unproblematic #goodrepresentation, given that so many of them are trying to kill you and it's often being used to evoke ruin and tragedy, but it's not nothing either. Adaptive king Artorias.)

The way he howls and shakes reminds me of nothing so much as the Tumblr story about the rabid raccoon. It's eerie and wrong and awful.

He is incredibly aggressive and incredibly fast, and if you start chipping his health down he draws on the Abyss to power himself up further in a way that can rapidly make his hits unblockable (at least for most builds), so you can only try, desperately, to dodge. And after one or two power-ups, he can and will one-hit kill you, and then do front flips on your corpse.

I think I had to level my brain up to do this fight. Holy shit.

I have been IMMERSED over the last few days, learning his patterns and rhythms, and now I feel weirdly close to Artorias and emotional about it. More than any of the other bosses so far, Artorias feels like fighting a person. I gave his soul to an old friend of his to take care of. Sleep well, dude.

Community Thursdays

Jan. 29th, 2026 12:24 am
ysabetwordsmith: A blue sheep holding a quill dreams of Dreamwidth (Dreamsheep)
[personal profile] ysabetwordsmith
This year I'm doing Community Thursdays. Some of my activity will involve maintaining communities I run, and my favorites. Some will involve checking my list of subscriptions and posting in lower-traffic ones. Today I have interacted with the following communities...


* Posted "How to cope with broken resolutions and the mid-January slump" in [community profile] goals_on_dw.

* Posted "Finding Art in 2026" on [community profile] art.

* Commented on the January 28 post in [community profile] awesomeers.

Alien Romance

Jan. 29th, 2026 12:21 am
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
[personal profile] gs_silva made a post pointing to the Patreon post in which he answers one of my questions about Maurice.  It's just such a unique backstory for the character, and I love it.  :D

Website Updates

Jan. 28th, 2026 08:58 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Thanks to [personal profile] nsfwords, both Arts and Crafts America and The Bear Tunnels are now up to date. \o/  
sovay: (Haruspex: Autumn War)
[personal profile] sovay
In the midst of this week, we are in a block of doctor's appointments, but following this afternoon's I climbed up to the railings behind the Salem Street Burying Ground and hung over them with my camera, an operation which still put me in snow to mid-calf. Its winter-drifted gravestones date from the late seventeenth through the late nineteenth centuries, with one modern interpolation for the unmarked, enslaved dead. I should go back for their slate-carved winged skulls in spring.



The current sunset is one of those violet riots, but at the time of this photo, the clouds above the fan of trees were just starting to flush gilt-grey. That attenuated stretch of the Mystic that always looks more like an industrial canal than a river was a glaucous freeze at its margins and flat-skimmed snow down its center. I cannot believe I never encountered Socalled's Ghettoblaster (2006) until its twentieth anniversary. Then again, only forty years after the fact did it occur to me that I would have accepted The Last Battle (1956) much more readily if Lewis had made it Ragnarök instead of Revelations.
[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

When the history of the moment is said and done, there are going to be people who wished they had been on the same side as Bruce Springsteen and Billy Bragg, and some who will lie that they had always been. But they will know the truth, and so will others. It won’t be forgotten.

— JS

Early Humans

Jan. 28th, 2026 02:47 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
430,000-Year-Old Wooden Tools Are the Oldest Ever Found

The finding, along with the discovery of a 500,000-year-old hammer made of bone, indicates that our human ancestors were making tools even earlier than archaeologists thought.

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