drwex: (VNV)
Below, links to a three-part video series from Bloomberg on the music revolution that started with the first MP3 and whose latest chapter is the past year of Coronavirus destroying live performance as we knew it.

https://www.youtube.com/watch?v=OHVRItc38-c&ab_channel=BloombergQuicktake

It begins with Napster, which is a popular place to start if not entirely right. As someone who traded tapes before there was digital music I recognize the antecedents. Still, Napster was revolutionary to me. I trace my discovery of the remix to my experience with Napster. Perhaps I was odd in how I used it. I didn't want just a rip of a CD - I wanted sounds I couldn't get any other place or way. Live recordings, too.

Along the way I discovered dozens of new artists and realized that the world of music was much much bigger than what the airwaves or CD store would bring me.

https://www.youtube.com/watch?v=01DOCnCA1j0&ab_channel=BloombergQuicktake

I remember the war on sharing quite well. I wasn't a particularly heavy user of the second wave of sharing systems but I started blogging about the Copyright Wars, a hobby that would last about 15 years. Through that I met some interesting folks and became somewhat versed in some odd corners of the law.

https://www.youtube.com/watch?v=392B71DgBCY&ab_channel=BloombergQuicktake

It has always been true that artists need to get paid. If they don't, you don't get (as much) art. The issue wasn't paying the artists, it was giving money to vast corporate empires that sucked everything dry and maybe returned a pittance to a few creators. Meanwhile, thousands starved, waiting for their turn in the spotlight, a chance to be "discovered". The democratization of music, and the multitude of ways that have emerged to reward creators, are the best things to come out of this mess. But I will die mad at the RIAA nonetheless.
drwex: (Default)
Else-slack someone pointed out that we missed an obvious marker in time, but even though it's late I give you:
https://www.youtube.com/watch?v=bm51ihfi1p4&ab_channel=RHINO

(2020 - 24 hours to go!)

Anyway, here we are at the end of this year and nearly at the end of the pandemic. Like, this thing has only finger-countable months left. I might not be able to fly to Scotland in summer 2021 but I'm pretty sure I'll see family for holidays next winter in person. This is also not the big one - this was a warning shot and we still nearly killed ourselves. Infecting ourselves with a fascist criminal empire instead of a government was also nearly fatal, but we seem to have skated past that pit for now.

I find myself in a weird position. Normally when you find yourself in a bad place, you want to go back. People wail about wanting it to be "like it was before". But here's the thing - the way it was before? That sucked. Part of what we've learned (I hope) from this year is that there were many broken things about the pre-pandemic world. We white people got to ignore most of them.

Racism? Broken. Our policies on immigration and refugees? Broken. Our relationships with dictators and autocrats around the world? Broken. Our bloated and too-expensive private healthcare system? Broken. Our underpaid and overworked and unappreciated public school systems? Broken. Our insane ideas about work-life balance? Broken. Our veneration of billionaires? Broken. Our starvation-wage employment of people who do everything from make our fast food to care for our elderly? Broken. Our casually destructive model of work and transportation? Broken. Our lack of concern for the planet we hold in trust for our children? SUPER broken. I don't want to "go back to the way it was" on any of those things.

Trump always was a symptom; he didn't invent any of these problems, though he made them all worse and shone a harsh light on their realities. After he's gone we'll still need to deal with the fact that 47% of Americans who voted thought having a fascist criminal enterprise for a government was just fine, thanks.

If you can't go back and you can't stay here, the only other option is forward, right? It's just damned hard to figure out what "forward" should be like when you're concerned about whether your neighbors are going to make you sick and your government is going to send black vans full of unmarked stasi to grab your friends off the street. Fighting to stay alive has kind of taken up all the mental energy I might have put into thinking about a positive vision of the future. All I can tell you is what it should not be.

This week I felt confident enough about my financial situation to turn on my charitable contributions, which I had turned off in April. It's a small thing, but it meant a lot to me.

May we all have a pleasantly boring 2021. I doubt it, but it's a wish right now. And 2020? Be gone and don't let the door hit you on your way out.
drwex: (Default)
Sometimes I think that the universe speaks to me. Not in the "Noah? This is God, Noah" sense. But rather in the sense that something engages my brain in an unexpected and meaningful way. Often it's internal - I realize a thing that was true and always was true and I just didn't... know it until the universe spoke it to me.

Sometimes, though, it's words or ideas from elsewhere. Today I got a double-shot of thoughts about love and that's the universe speaking to me so I'm going to write them down.

One is a quote, that I think i want on a tee shirt or something:
"Love does not save the world; love makes the world worth saving."


And the other is from a discussion about one's self-image, and it goes:
"I needed to see myself in the world in a way I could love."


Like a lot of profundities these things may be only profound to me, and maybe only to Now Me. That's OK, I'm just here to write things down from time to time.
drwex: (VNV)
...that divinity is the ability to hear the music beneath all the noise.
drwex: (Troll)
I have a lot of them and might post more. Here's one for today:
What are you hoping not to take for granted ever again?


For me it's the pleasure of seeing other people. I am, as the icon indicates, a troll by nature. Introverted. I recharge via downtime. My tolerance for random social interactions is about 90 minutes, usually.

But I've been enjoying my couple of online groups - one is an old geeks club and one is my D&D group - way more than I expected. I love my teas with friends (you are still invited, by the way).

Being part of a larger group (I do professional groups and town halls and discussions and such) isn't doing it for me, even when I can see other people. The familiar nature of the faces? The potential for personal interaction? I dunno. It's something-something and I can't put a finger on it but I can feel it.

What do you think? What's on your list?
drwex: (Default)
https://www.bbc.com/future/article/20200320-why-people-can-love-more-than-one-person

Sent to me by my dad, of all people. Apparently three-letter acronyms are better than words made by mashing up Greek and Latin roots. Who knew.
drwex: (VNV)
I recently saw Her and I want to talk about it and Altered Carbon at the same time because there are interesting similarities. I'm going to avoid spoilers here but feel free to comment as you like.

In "Her", writer/director Spike Jonze gives us an interesting premise: what if you had an AI (they call it an operating system) that was theoretically designed to meet your every (personal) need. Wouldn't it be better if it was intelligent to understand your needs better? And if it was intelligent, what might happen?

I shied away from this film for a while because I was afraid that it was going to go in the "robot slave" camp, of which Hollywood has produced too many. It does not, even a little. "Her" is a film I rank with Lost in Translation as a unique exploration of humanity and human relationships. I expect it will bear re-watching. 4.5/5 stars, down from 5 because I was reminded of the ending I disliked.

The casting is also brilliant. Joaquin Phoenix is our protagonist, a lonely man who struggles to keep relationships and unexpectedly develops one with this AI. Phoenix is awkward without being embarrassing or buffoonish. He's good at what he does, and people aren't his strong suit. The AI is voiced by Scarlett Johansson. This is a great choice because she is someone visually well-known so it's easy to imagine her speaking these lines and she's conventionally very attractive so I immediately see how Theodore (Phoenix's character) can visualize her as an attractive woman even though her on-screen presence is limited to an audio device. The choice never to visualize Samantha - the name given to Johansson's AI - is particularly good. If you are at all a fan of radio plays/podcasts you know how well sound can be used to convey even subtle things. I can't think of another Hollywood film where that has been done so well.

This set-up works especially well when Samantha begins to develop a real personality and to drive things. She has desires; she's petulant. She's not just there to please Theodore in a trivial sense. She pleases him by being a 'real' person really interested in him, his life, his activities. She misses him when he's away, just as he misses being away from her. The movie posits this as a relationship with an AI but it's a lot like I imagine a relationship might be between people who are separated by necessary distance. Imagine Samantha and Theodore as people on opposite sides of an uncrossable war zone and you'd get a very similar story, at least at first. This brings us to the question of what it means to be human. We know Samantha is computer code, but she relates as a human.

Now let me jump to Altered Carbon. I promised to write this up but never did, so a bit of background first. I really liked the novel and its premise. Season 1 of the show took a lot from that source material and did wonderful things with it, if you don't mind on-screen graphic violence. Also, nudity. The core premise is that on traveling to other worlds humans discover an apparently long-gone alien species that had developed technology to encode a mind into an implanted device, as well as allow the encoded minds to be cast between these devices, at supra-light speeds. These devices - stacks - become the real representation of a person and the physical body becomes just a sleeve. Organic damage can still be repaired; destruction of the stack becomes "real death". Imprisonment means putting your stack "on ice" for a period of time; your sleeve gets rented out to pay your debts.

Rich people can pay to have their stacks backed up and their bodies cloned, effectively becoming immortal. The class of meths (from Methuselah) are this reality's 1% with all the vices and deviances you'd expect. The series protagonist, Takeshi Kovacs, is the last Envoy, one of a class of highly trained rebels whose rebellion was crushed long ago. A meth brings Kovacs back and in exchange for Kovacs' services, this meth arranges to have Kovacs' record expunged and his crimes pardoned. In Season One Joel Kinnaman, who you might remember from Suicide Squad (Rick Flag), plays Kovacs' sleeve.

He's very good and he's surrounded by a great cast, including Dichen Lachman as Reileen Kawahara, the stunning Martha Higareda as Detective Kristin Ortega, and Renée Elise Goldsberry as Quellcrist Falconer, the woman who founded the resistance movement that comes to be called Quellists, and who trained the Envoys. In Season 2 the sleeve is played by Anthony Mackie, who is just awesome, Goldsberry reprises her role, and Higareda is replaced by Simone Missick as Trepp, a bounty hunter with a heart. I loved Missick's work on Luke Cage and she's every bit as good here.

The writing is quite good, with Season 2 picking up themes and ideas from Season One but not being a strict repetition. Again, Kovacs is hired by a meth and again things go wrong but in ways that fill in much backstory and allow characters to develop. Also, the ending of S2 is just *chef's kiss* perfect in that I totally didn't see it coming but as soon as it revealed I was like "oh, of COURSE they could do that" because it lined up very neatly with the things that had come before.

Altered Carbon also features intelligent AIs, like "Her" does. Most of these AIs are created to serve people for specific things. There's a class of AIs that manages human-centric facilities like hotels and nightclubs, another class that serves archaeologists on dig sites, and presumably more. There's a subtle class system in place in that even the lower-class humans don't seem to treat the AIs as equals and the AIs associate mostly with each other. They're long-lived and tend not to get attached to humans, who do still have comparatively short lifespans. Chris Conner plays Poe, a hotel AI with a quirky Edgar Allen Poe fetish, who gets attached to Kovacs and ends up playing pivotal parts in both S1 and S2. Poe and some of the other AIs form friendships with humans, and it's left open (so far at least) how far the emotional relationships might go. Clearly Poe has emotional attachments to a couple people as the seasons unfurl, and it's also clear that the AIs have emotional relationships to each other.

Where "Her" zooms in close on the relationship of one (human) person to one AI (person) and asks us to see them both as people growing to love each other, Altered Carbon also asks us to imagine what it's like to relate to one person who has multiple bodies over time. There's a brilliantly painful scene in S1 during which a relative whose sleeve died is "spun up" to join the family for holidays but since the family is not well-off they have to use whatever sleeve is available. Still, that's "Grandma" even though she looks like a thug now and the family behave as if this was normal. It's a little creepy and yet so very effective.

There you go - two pieces of fiction that dive way into the notion of what it means to be human/to be a person, each excellent though very different.
drwex: (WWFD)
https://www.youtube.com/watch?v=gPZ_hEXbq9M

I watch a fair number of self-help videos on their YT channels. Simon Sinek's are usually good as is Charisma on Command and others like Real Engineering, Big Think and of course things like TED and Sci Show.

This is my second sample from Freedom in Thought and it's particularly apropos for me. I've always liked The Art of War, though I haven't reread it in many years. This video extracts some concrete ideas from the book's philosophy to structure a way of thinking about the world in terms of "war" and "peace". It frames these ideas around the author's struggles to get a job, particularly apropos for me, newly laid off.
drwex: (WWFD)
I have been putting more of my thoughts and questions onto Twitter. For all that it's a nazi-hosting shit show, it's also a place where I feel a community of thought and belief. People chuckle when I say "favorite Twitter rabbi" but that's actually a thing I have, now. She's awesome, and through her I've found other really interesting spiritual leaders.

Question 1: where is your community?

I have been having a hard time for the past couple months with the "how are you"/"how are things" question-conversation opener. It's really about how average is a bad measure you see, because there are a bunch of things that are good and I like and am happy about, and another bunch of things that are bad and stressful and I'm upset about. If I average those out, I get "OK" and sometimes I say that but it's probably the least accurate, least descriptive word I could use for this state.

Question 2: does this happen to you? What do you say when it does?

I had this... thing happen to me again recently where the proverbial light bulb went on inside my head and I thought, "Oh! So _that's_ a thing, and probably true." When you're on this side of that moment the thing in retrospect is blindingly obvious and like why couldn't you see that 1+1=2 before? It's not like I acquired new knowledge or a higher level of understanding. It's more like "these two jigsaw pieces always fit together in this way but I just never put them next to each other before."

This happens to me from time to time and while I'm glad for the universe delivering clarity to me it's also frustrating because I often don't know what to do with it and I really don't believe, much, in blinding flashes of insight. I'm more the "slow methodical building up to an answer" kind of person. Or, I think I am. Maybe I'm not.

Question 3: Does this happen to you, too? If it does, how does it fit with your world/self-view?
drwex: (whorfin)
For a while there were memes going around Twitter of the form "There are X days left in this decade; what have you accomplished?"

This set ALL my hackles up. Year ends are arbitrary. Decade ends are equally arbitrary; they just don't happen as often. No one should measure themselves by such an arbitrary thing.

Sure, I get that it's wise to reflect on one's accomplishments and for some people I know "I'm still alive and a functional human being who's good to be around some of the time" is a giant effort and I appreciate those friends, too, and very much want them to continue being around.

Me? My biggest accomplishment was that I don't seem to have utterly ruined my children in the last decade. This was not at all a certainty at many points. But anyway, back to the rant.

One of the important things I try to keep in mind is that endeavors take their own time. If I'm working on a thing, or you are working on a thing, then trying to get it done by some arbitrary deadline is likely counterproductive. I have a personal love-hate relationship with deadlines in my regular life. They can be good motivational tools but we hates them we does, Precious!

I was pleased to see that - at least in the Twitter circles I frequent - the first wave of memes was soon followed by a series of affirmations of the form "you are a good and valid person regardless of accomplishments" and "don't force yourself into measurement based on someone's external notion of accomplishment" and generally disparaging arbitrary deadlines.

You call it a bubble; I call it a carefully curated group of inspiring humans.
drwex: (Default)
Last night we went to a vigil in Arlington in response to a couple of the recent hate crimes. News here: https://www.masslive.com/news/2019/05/joint-terrorism-task-force-investigating-suspicious-fires-set-at-jewish-institutions-in-arlington-needham.html

I hate that I have to write "a couple of the..." because there isn't just one. There were two local, and at the time this was happening, a similar attempted firebombing happened in the Chicago area. The targets there were friends-of-friends; the people targeted in Arlington were people we know. People who taught the kids for their b'nei mitzvot. I have ALL the feels and no idea what to do about any of it.

No persons were harmed and property damage was much less than it might have been. Still, a hate crime not just directed at my marginal group but at people I specifically know is a qualitative step change in the atmosphere.

Last night's vigil/rally of support was well-attended. We essentially filled Arlington Town Hall (moved indoors by last-minute rain). Lots of officials turned out in support (*) and the acting Chief of Police spoke. Everyone thanked the police, who have apparently been diligent in pursuit of the attackers so far. As noted, this is also a qualitative difference. Nobody in Arlington is claiming that the bombers are "fine people", and you can't underrate having public support from government and law enforcement.

"Love Lives Here" as a slogan to complement "Hate Has No Home Here" is an invention and artistry from a friend of ours. I don't think she has a DW or site I can link to; she's helped with art and production work on several Arisias. The slogan is available on postcards and signs, in English and Hebrew. She got at least general acknowledgement from the podium, along with several of the hand-crafted signs students had made. One of those signs said "Please don't bomb my rabbi" which hit me RIGHT in the feels.

After the vigil we got to go out with her and much of her family, which was a nice social for the adults even if the teens were largely anti-social.

I've been trying to find good coherent words about this since last week when I heard about the attack. I don't have any. At the vigil the Rabbi said that his response to "what can I do" was "do a mitzvah". (**) I appreciate that sentiment and I can't help thinking that the greatest mitzvah would be to defeat the Hater in Chief so we don't have four more years of this kind of filth feeling it's OK to show themselves in the daylight.

Hair Furor didn't create these monsters, and yet he is still their great champion. I don't imagine that this is a "cut the head off the snake and the body will die" moment, but I can't think of anything more nationally effective right now.


(*) There was also an unscheduled appearance by a consular official from Israel, whose verbal hypocrisy caused me to grind my teeth rather a lot. Talking about how Israel stands against hate is not very convincing when you represent a government that is actively harming refugees and Jews of color, while perpetuating a discriminatory national system, and an occupation with no end in sight. I consider myself a Zionist, and see hate crimes like these and worse worldwide as a reason for Israel to exist and to be supported. But I hate that a movement I grew up associating with egalitarian socialism has been taken over by fascistic religious fundamentalists and perverted to their ends.

(**) Literally, following a commandment. More generally, doing a good deed. It's a very Jewish form of "pay it forward" because we believe that putting out goodness into the world is its own reward. Jews don't follow the commandments - do mitzvot - because we're afraid we'll go to (Christian style) Hell if we don't. We do it because fixing the world begins with fixing oneself, and fixing oneself is both a personal reward - you're a better person - and a global good because you get to live in a world with more healthy better people.
drwex: (VNV)
https://www.youtube.com/watch?v=o3epEnJAyu4

A really neat 10-minute exploration of how disco changed the length of pop tunes. tl;dr blame the (disco) clubs.

For about 20 years, from the mid-50s to the mid/late 70s, the length of a song was 2:30 to 3:30. That's largely because it's how much music you could fit on the 7" vinyl disc, aka the "45" because it spun at 45 RPM. It did that on personal record players, jukeboxes, and most importantly, on radio turntables. Radio controlled what was played and what was popularized, so the 45 dominated and songs adjusted their lengths to suit.

Then along comes (the) disco - first as a dance club and then as an identifiable set of musical styles that get played in those dance clubs. Club DJs needed longer material to work with - this is in the day of mixing being two analog turntables and a lot of finger action - and club owners wanted to keep people on the floor longer, dancing, rather than stopping and restarting every few minutes.

Theoretically you could put more music onto a 45 by making thinner grooves and squashing things mechanically, but the result was a poorer, squashed sound with less bass and less dynamic range. Disco is nothing without those things so the DJs rejected this. After a few years of back-and-forth, club/disco hits began appearing on the Billboard charts, even before they got significant radio airplay. In effect, the clubs and the club DJs supplanted the radio stations and their DJs as the drivers of popularity and money.

Once the 12" format became available record companies realized they could have both things out and sell both - usually the base song rerecorded as a "club" mix or similar going out to 8 minutes. But by the early 1980s songs started being made in the new format, not as remixes but as longer originals. And radio hits followed.

See if you can guess the first song specifically released for the new format before you watch the video. Hint: it's possibly the most popular single ever released in that format.
drwex: (Default)
https://www.artofmanliness.com/articles/31-days-greater-self-reliance/

I had this recommended to me by someone when I did my last set of writing prompts. I figure I'll post the top URL here so you can read them all at your leisure and I'll work through them as I can. I have a bunch of other things that I've been holding back on posting and maybe getting some random writing done will help with that. Here we go...
What is something you have or are pursuing, that other people say is worthwhile, but you haven’t found valuable? Do you continue to pursue it based on the promises of others?

It's sort of ironically funny to find myself writing-blocked by a writing prompt. Like, I've puzzled over this for a while and I'm having a very hard time coming up with examples.

If I break it down I can consider it through different categories. For example, physical objects. I have lots of junk - that is, stuff I own that I don't find valuable. But for most of those things other people generally would agree that the junk is ... well, if not actually worthless it's things I could dispense with. I doubt I'd ever go into some kind of minimalist lifestyle entirely but I could stand to decruft a considerable amount. Part of what makes it harder to decruft is that I hate just creating trash, and finding someone who'd value the things I want to be rid of is rare.

There are lots of things (material) that other people own and find valuable. Some of them I want, and I get them. Some I don't, and don't.

Maybe the question is more abstract - consider qualities, or habits. I know there are lots of good reasons to, say, exercise more or eat vegetarian. It's not that I don't recognize the value in those things. I do them because I (intellectually) recognize they have some value. I do them a lot less than I should in part because I haven't personally connected with the value. These days there are lots of articles appearing on how to make habit change "stick". Recognizing that people tend to regress to baseline, even when they know that baseline isn't great, means you need to take a different approach than just issuing dicta "Eat better!" "Exercise more!"

In the last set of prompts I talked off and on about interpersonal qualities. Ways of talking, thinking, or relating to other people. Here, too, I do some of these things but less than I should. Honestly, I don't know why. I don't think it's because I don't recognize the value. It's some combination of "old dog, new tricks" and the difference between abstractly recognizing the value in a thing and having internalized it to the point of it being one of my values.

There, I wrote a thing. Maybe I'll write more things. If you encourage me that's more likely. Or discourage me if you think that's appropriate - I won't be offended.
drwex: (Default)
I no longer blog regularly on copyright issues. Over a dozen years of watching the Copyright Wars evolve and turn into grinding trench warfare I got bored of it. But guess what, the world doesn't care how bored I am, it keeps slogging along and right now, copyright is in a very interesting state. It's beyond broken - it's irrelevant.

https://www.youtube.com/watch?v=BL829Uf2lzI

OK, maybe it always was irrelevant, but that didn't stop the Content Cartel from suing music fans, more or less en masse. The Internet keeps growing, though, and music fans have stopped being the biggest problem the music business has - now it's streaming services, which have essentially ended the idea of "owning" music anyway.

See also, YouTube, which is a major player in people (like Hank and John) constantly 'breaking' the law... and no one cares. What they care about is the rules of the corporation (in this case Alphabet/YouTube) of which we are all citizens. YT sets policies that are informed by the law but only insofar as that serve's YT's purposes. When those policies disenfranchise small creators... oh well. When those policies generate rafts of bogus paperwork... well, YT cares only to the extent it has to deal with that paperwork. If it can foist that work off on other people, so much the better.

There's an argument made in the video that "culture blew past the law" and Hank's not wrong about that, but it's also not a new thing. We just have Internet-powered culture now. Does that make copyright interesting again? I doubt it, as a regular pastime, but occasionally... sure.
drwex: (VNV)
https://soundcloud.com/defunk-165975487/sets/valentine-mix

For those who just want the tunes, here's an hour and a half "Valentine Mix" from Defunk. Like a lot of long mixes it has good bits and bad bits and I don't think all of it will appeal to any listener more particularly. It has funky bits and country bits and electronica bits and some lovely moments. I link to it because it's a Valentine's Day mix without a lot of sappy 'romantic' pop stuff. If you know me at all, you know that's not my speed. I don't even much like V-D.

What I do like is music. If you know me at all, you know that music and sharing music is an important part of my love language. Not in that "oh, here's our song and let's stare soulfully into each other's eyes while it plays" (non)sense. But rather, music is love. Sharing music is showing you care. Music, and sharing of music, has been an important part of every meaningful relationship I can remember in my life.

If we haven't shared music, then we haven't shared something important to me and it's a way in which we aren't close, yet. We can share music by passing tunes back and forth, by going to shows together that we both enjoy, by proclaiming our favored music's superiority, by arguing about which of our musics is good, bad, or just plain trash. You can love terrible music - music I can't even listen to. You can think my music is terrible and unlistenable. When you choose to share that, you are saying "love" to me. This is something I've known about myself for a long time but haven't really been able to articulate until recently.

These music blogs are acts of me sharing my love with you, my readers. I hope you recognize yourself reflected in these sharings, as I mark and blog music sometimes with people in mind. I hope you hear this language and will speak it with me. And I hope you have a good Valentine's Day, whatever your love language is.
drwex: (WWFD)
I discovered accidentally today that I had no problem writing "my master's thesis" like normal people do. That was not true for a long time.

While working on the thing I changed all instances of "thesis" to "Grendel" as in "the monster that must be slain". At one point my only way of making forward progress on the actual text was to use the word processor to replace all instances of "the" with "the fucking". It's remarkably more relaxing to read or write about "the fucking experiment" and "the fucking results". Of course I changed it back before sending it to readers, but it got me through one four-day-weekend push.

(Preemptively, I categorized everything to do with my PhD writing as "Mordred" as in "that bastard". I still don't like the 'd' word but it's not as trauma-laden as it used to be.)
drwex: (Default)
(If you missed the antecedent to all this, it's at https://drwex.dreamwidth.org/1009674.html - Reading it isn't strictly necessary to understanding this entry, but it'll help with context.)

The original questioner clarified that one of their concerns was:
"it didn't seem fair for somebody to be held accountable by Arisia for ideas communicated on a non-Arisia forum."


I want to write about this, because I think this is a very hard problem, to which we don't have a good answer. So we (and I mean all of us, not just Arisia) are going on a case-by-case basis, and I think that's the right thing to do, even though I like systems that are predictable and not warty.
This is going to get long; you've been warned )
I wish there was a neat answer, an ending or moral I could put here to wrap all this up nicely. There isn't one. This is a big hard problem and Arisia's instance of it is only a microcosm of the serious challenges our society is wrestling with. But it's my microcosm and a thing I continue to care about, deeply. For myself, I have a lot more reading and thinking to do. In about three weeks we're going to have a convention and after that convention there will be a stack of IRs that get handed to the Eboard and we're going to have to figure out how to apply our principles ... on a case by case basis.

Wish me luck.
drwex: (Default)
tl;dr This is going to be a long (at least) two-parter of me talking about Arisia things. I will cut tag for those who don't care about Arisia stuff.
Background Overview )
Today on Dreamwidth )
What did I say? )
So that's a lot of background. Next up, a question for which I don't have a good answer, and I think nobody else does, either.
drwex: (Default)
This is very long. I will cut the whole thing so as to not blow up your reading page. It was hard to write. Despite its length I have more to say on this topic. I've had this checked by an insider who confirmed that I am not revealing any confidential information, a thing I worry about a lot these days.

Background, for those who are not actually submerged in All Things Arisia: past leaders of the organization mishandled some serious incident reports. People got really hurt. I still believe that no one acted with malice, but impact matters a lot more than intent and when you've hurt someone you need to apologize.

We did issue an apology. You can read it here: https://corp.arisia.org/Apology-2018-11-23
This entry recounts part of what happened between November 11th, when the new Executive Board was elected, and November 23, when the apology appeared. During that time there were a lot of insistent voices saying "why don't you just apologize already?" as if that was a simple matter. As if it was like you'd stepped on someone's foot. They say "ow" and you say "sorry." It's not like that at all, and some of the loudest voices were from people who I think should know better. This post is public in part so they might read it and so that you can refer people to it. I hope it helps; I intend to continue blogging my adventures as Arisia VP whenever I can.

wall of history crits you )
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A long time ago I learned that not making a choice is itself a choice. I do not think I properly taught this to my elder child and I hope she finds it out in some non-destructive way. I live in the city of Decision Fatigue these days, because there are so many things I must decide on. Even if I don't participate in the arguments, I often have to have an opinion at the end. Sometimes we even vote.

I am generally treating corp@ like That List, from which I unsubscribed when I had to focus on getting my dissertation done, and have never looked back. I can't actually unsubscribe from corp@, but I am skimming and trying to gather the gist instead of going down into the weeds as often as I did a couple weeks ago. And I rarely respond.

Part of this is that I no longer have a private voice on matters concerning Arisia. No matter how much I disclaim that something is my personal opinion (turns out I still have a lot of those) words I utter turn out to have been uttered by the Vice President of Arisia, Inc. and at a minimum they raise the question of what Arisia's official opinion might be on something about which I have a personal opinion. Often, I can't speak that, either.

We have spent an incredible amount of time the last ten days writing things. Statements that appear in public as just a few paragraphs go from multi-page drafts through intense workshopping processes. The Board itself works on most of them, often with one or two people taking lead, and we have external input both from connected resources (e.g. senior staff of the Arisia Convention) and from connected people. Several of us are lucky to have partners whose knowledge, expertise, and input can be brought to bear on these things. We use Google Docs a lot; I can't imaging how much harder this was back in the days before shared co-editable documents.

As a result, most of my words are captured. I have some words for work (I have to) and for family but I am remarkably talked out. To some degree I hoard my words for things I am passionate about. I'm hoping tonight will turn out a certain way (we have a call with a full agenda) and I plan to use a lot of my words there.

I thought about all the above partly in response to the last 10 days, partly because of comments in other journals, and partly because the usual pre-Thanksgiving advice is drifting around about not needing to argue with every loud, ill-informed relative. In more ordinary times I would be very much about "f**k that" - I do not (as a dear friend reminded me) suffer fools gladly. And particularly in 2018 I feel it's important not to let racist, privileged, and hateful remarks go unchallenged.

Holidays are always fraught, and for some people they're downright toxic. It makes sense (as Pygment wrote in her own journal not long ago) to confine one's responses, particularly confrontational or intervention, to situations in which one feels safe. How terrible to admit that a family gathering would be unsafe, but that's reality for a lot of people, particularly people from marginalized groups.

This, too, touches back on Arisia because so much of what has happened has revolved around safety, or the lack thereof. Pygment reminded me the other night that she's never regarded Arisia as "safe space" and tried to teach that to the kids. It's wise, if regrettable. No gathering that large is ever going to be "safe" and using that language only serves to mislead. We should not speak of "safe", but instead speak of "safer" and "prioritizing safety".

I am, I admit, influenced by in-the-past days of working on what became known as safer sex education - largely promoting condom use. "Safe" is an absolute word I prefer not to speak. But I can speak about priorities and what I see as part of the mandate of the new Board: to prioritize safety over other concerns that people (right or wrong, see there's that bit where I can't speak) perceive as having been de-prioritized in favor of other things. We used to say 'safe sex" and found that misled people. Now we say "safer sex" and by analogy when I choose to speak about this, I say "safer" Arisia.

That's quite a lot of words from someone who claims to have fewer of them, isn't it?

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