drwex: (VNV)
It's been a while since I found something really new. I do still have a bunch of open music tabs but this one hit me square in the feels, so I wanted to post it right away.

https://www.groovelectric.com/stormingheaven.html
We begin with "Storming Heaven", DJ Steveboy's 15th-anniversary mix for Groovelectric. It's a d&b mix, which is not my favorite style so I put off listening to it and that was a mistake. Listening to this I'm starting to realize that I don't dislike d&b, just boring repetitive d&b. But d&b with piano and string and interesting vocals? I'm in.

This mix in particular starts off with Cartell Hall's "Dreams". It's listed as "original mix" which means Steveboy has used it for source material. This Groovelectric, like his others, has his unique signature. That sent me looking, which led to...

https://www.youtube.com/watch?v=FHxoHz6z2vA
This is the full four-track EP from Cartell Hall. It's listed as 'downtempo' which I suppose is technically correct but really misses the point of what Hall is doing here. The cello arrangement alone is worth a listen, as it duets with synthesizer for some ethereal beauty. Unfortunately I can't find anything since this EP. A shame.
drwex: (VNV)
I am still listening to a lot of music, though less these days. Usually, music forms the background to my activities. Especially when working, music helps me focus, cut out distractions, and enhances my flow. After a month of not-working, though, my "work" is scattered house chores, hunting for jobs, and... yeah, not much else. So there's less of a day streaming sounds to pick from. Still DJ sets are a big thing and I want to dump a few here.

Most things here fall into the "prog house" classification. It's still dance music, but it tends much more toward trance-y sounds and incorporates a large set of world influences, particularly Middle Eastern and North African rhythms. It also avoids the dub and scratch sounds that some of my usual stream have been drifting into. Whatever it is about my mood these days, I'm less tolerant of discordant music. A good prog mix makes me feel enveloped and cradled in the sound, as well as pulled forward. At some level, musical distinctions are silly - prog house freely steals from trance, vocal trance, and Italo-disco (or nu disco). I always have to check the descriptive labels anyway. If you liked 808 State and The Orb then this may well be your style.

https://www.groovelectric.com/alonetogether.html
https://www.groovelectric.com/travelinginplace.html
We start with two Groovelectric mixes from longtime favorite DJ Steveboy. "Traveling in Place" is an explicit drone mix, meaning that it works to keep an even tempo throughout. Clocking in at over 2.5 hours it's definitely not intended for long focused listening but rather to be the soundtrack for whatever else you're doing today.

"Alone Together" is the first of Steve's pandemic mixes, created in mid-March as an immediate reaction to going into lockdown. It's an hour of eclectic production, starting with the piece put out by Yo Yo Ma shortly after he went into lockdown (Dvorak's "Going Home") and mid-anchored with three versions of Wang Chung's "Dance Hall Days", a tune that used to be one of my favorites and which I have not listened to in years.

For these and other Groovelectric mixes you can visit https://www.groovelectric.com/mixes.html to see the full setlists and download them for later playback.

https://www.youtube.com/watch?v=2j88IJb71_o
Miss Monique is back. In February I noted that her "weekly podcast" seemed to have stopped production last year. Well, it's back again, presumably because she's shut in somewhere. The video is generally just a set of cameras watching her doing her thing, which is entertaining for a few minutes at a time but I tend to put these on and flip to other tabs to do other things.

https://www.youtube.com/watch?v=eiT6QMygW-8
https://www.youtube.com/watch?v=-PvozwOlCtg
Two new tracks from Miss Monique that I thought worth mentioning. Both are in the tradition of her sets, but with better production values and fuller sound. Good headphone listening. The first track "Behind the Mirror" feels like what I call "spy movie" music. That sort of sleek, action-ready sound that feels like you should hear it while Bond is piloting some classy expensive vehicle between locations.

The second - Atleha's remix of "Stranger Things" is still labeled "prog house" but has much more of an deep feel to me, where it's not doing the ethereal vocal trance thing. It's a little more driven and a lot more bass-forward than the previous track; I just wish they'd let the video be full-length rather than chopping the ending.

https://www.youtube.com/watch?v=9Wi_tkp4DcU
https://www.youtube.com/watch?v=cPv1fLr8Yy0
https://www.youtube.com/watch?v=jd1yyIg3_4U
Three episodes so far of Deisis Lounge from Giolì & Assia. I hope and expect there'll be a 4th next week. Of all the sets these are the most visually interesting. Both women are talented and fun to watch.

Episode 1 got me right out of the gate with some nice handpan work followed by acoustic guitar, which I had not heard from them before. I really like the combination of live vocals and guitar interwoven with recorded beats and looped segments. If you listen through these, you'll hear them singing in at least three languages. The piano-playing in this set's cover of "Mad World" is great and there's another piano segment starting about 34:25 that's really nice.

Episode 2 starts off again with handpan work, a track I've heard in one of their previous outdoor sets. Still super enjoyable, and there's a second track with good handpan work. If you're getting the sense I could listen to an entire set of these you're right (see below). Like Set 1, this set also features a lot of electric guitar work but my favorite is still the live piano work. Starting around 1:00:00 there's a fantastic piano-and-vocals bit that makes my heart soar.

Episode 3 starts off with a fantastic cover of "These Boots Are Made For Walking" with vocals, handpan and guitar. Also new to me - about 14:20 into the set, Gioli takes over the mixer. Usually Assia has the controls but this segment she's just singing and letting her partner have the controls. It's an interestingly different style and we get her mixing much of this set. As before we have to wait until nearly the end for the piano bits, and it's worth the wait.

Special extra treats time!

https://www.youtube.com/watch?v=n-_rxwTkZmU
I managed to find this Gioli video from a couple years ago with her doing "Echo of the woods" an entirely handpan song. I love the sound and I wish I could watch her, but the video has a stupid unnecessary swaying camera that makes it difficult for me to watch. I haven't been happy with the camera work on most of their other videos so far, so maybe it's the same person/crew? I dunno, just wish they'd stop and let me enjoy the music and the very pretty pretties.

https://www.youtube.com/watch?v=jIqltIODJqg
The official video for "Feel Good" has an extra layer of meaning if you read the description. Apparently these women have had to hide their relationship because being queer and prejudice has damaged their careers elsewhere in the world. It's a beautiful tune (moar handpan plz!) and a sweet, if simple, love song. Love is love, say it with me.
drwex: (VNV)
This entry is thematically similar to the previous one but different enough that I wanted to put it out.

If any of you read my notes with the links, you might've noticed I'm sort of getting twisted around how people are using the "deep house" label. Well, along comes DJ Steveboy to sort things out:

https://www.groovelectric.com/deepend.html

This Groovelectric mix is a deep house mix - what he calls "classic" deep house. He goes on to comment about the evolution of the label into things I'd noticed; he calls it "deep progressive". In both cases, "deep" refers to more chill versions of the music. And in particular, Steve's notion of deep house as "night music" with its sultry approach mirrors my own.

It's a great collection of tunes, too. Worth the listen.
drwex: (VNV)
I have a couple of really serious posts I'm working on, and I'm still doing the journaling project. So I've not done music in a while. I'm back in the mode of listening mostly to DJ sets. Here's a list of the regular weekly(ish) things I tend to listen to. They're like regular podcasts, each with a little bit of formatting and self-promotion mixed in. I may highlight some of them or pull tracks now and then, but you can also listen and decide for yourself:

  • Groovelectric - DJ Steveboy. House, new-old funk, occasional downtempo chill or drone mixes. These tend to be more curated and less club-oriented than others.

  • Maxximize On Air - Blasterjaxx. Very club/performance. Hottest tracks and remixes, rarely original stuff. More monotonal than others, which is good for workouts or pushing through things without distraction but rarely causes me to sit up and search for a specific track.

  • Identity - Sander van Doorn. Another European performance DJ. Throws in his own mixes from time to time and posts a decent number of festival playlists.

  • I Need R3hab - R3hab. Still club dance, but more varied tempos and styles than others. Also occasionally contributes his own mixes.

  • Innerstate - Ummet Ozcan. Tends toward more trendy things, including his own contributions to whatever has grabbed his ear this week. Lots of people submit tracks for inclusion on his cast so we often hear new artists in his top tracks of the week. Downside is that dub and electro-scratch are still pretty popular, which leads to me turning off the episode about half the time.


Many of these, but particularly the "what's popular" compilations make me miss the old days when I could skip forward a track. Each of them shows artistry in how tracks are selected, mixed, and worked into each other so I can see how skipping would miss what the artist is trying to bring, but my alternatives right now are "suffer" and "listen to something else" which isn't great.
drwex: (VNV)
I had some time to go through back archives of Groovelectric and picked out three mixes for a special music post. DJ Steveboy does a lot of things and like any sets there are going to be better and worse tracks but I wanted to highlight the consistently high quality of his production work. He's doing a lot more than just sticking tracks together end-to-end, and the styles vary quite a bit. I'm still most drawn to the "new old funk" material that got me listening in the first place, but there's a lot more here and I encourage you at least to sign up for his newsletter to get notified of new mixes being released.

www.groovelectric.com/trancegressive.html
Trancegressive is just what it says on the label - trance, trance, and more trance. High energy, low vocals, great driving background music for working out or just getting through the workday. I tend to favor more vocal trance in general but that can be attention-grabbing as I follow the voices - particularly some of the operatic-trained singers that European DJs work with. This mix has some vocal elements in tracks, but they're all harmonics, down in the mix, and don't call out for attention. It's just BPM and move-with-me-now urgency.

http://www.groovelectric.com/circuitjam.html
Circuit Jam is a tech-house set. Given Boyett's preference it leans heavily on the funky side of tech, which is just fine by me. This leads to a less-energetic, lower-BPM feel than the trance set, but also gives it room to play around with more styles, instruments, and vocal passages. There are definite Afro-tribal influences in places, and where the trance set used vocals mostly for harmonies, several of the tracks here use chopped and styled vocals as an instrument in its own right. I particularly like the ending of this one - it's got a 'sunrise' feel to it that I find uplifting.

http://www.groovelectric.com/truenorth.html
True North is a much more atmospheric piece than the previous two. It's not exactly "weird" electronica but where Circuit Jam has tribal influences, this one has extended passages of electro-tribal stuff. It's obvious knob-twisting in places, but it doesn't descend into the annoying bleepy-bloopy things that turn me off with a lot of electronica. That may be because it keeps the core rhythms going and lets the electronica sounds float above them, rather than just being harsh noises to my ears.
drwex: (VNV)
...where X is a crappy drwex mood, the solution is "apply more funk." Long sets here so I'll do just three for now and save more for another post.

http://www.groovelectric.com/stackthedeck.html
Another great Groovelectric mix from DJ Steveboy, this one is full of funky throwback tunes and covers of things you've heard before. It's hard to pick a favorite here. Maybe Ministry of Funk - Orange (Funky Live Mix) - which I couldn't find as a separate track but you can get on Beatport here: https://www.beatport.com/track/orange-funky-live-mix/8702899

I first got into Groovelectric because of their "new old funk" sound, the place where funk came back to life in house music not just as samples, but as a full-on set of styles and effects that build together. Some of it is the horns, some is the beats, some is the vocals. Love me some funk.

https://soundcloud.com/ghettofunk/dancefloor-outlaws-live-at-the-backroom-bristol-dec-2017
Another funky set of house music, this time from Dancefloor Outlaws last December. There's no track list so I can't pick out a favorite for you but the sound is pretty consistently funky house throughout. I like the track that starts at about 22:30, wish I could identify it. The Outlaws' style is a little more what I'd call electro-bounce and they call "future house" than Groovelectric but it's definitely in the same camp. As a live club set, this mix has less vocals and more open space than I'm used to.

https://soundcloud.com/father-funk/fractal-forest-mix-2017
I think the thing I like most about Father Funk's style is how he infuses well-known tracks into his sets. This one opens with "Whole Lotta Love," pays tribute to hip-hop pioneers NWA ("Express Yourself"), and closes with "Guerilla Radio", originally from Rage Against the Machine but I actually think Father Funk's own remix of Daft Punk vs Federation Of The Disco Pimp doing "Robot Rock" is the best of the bunch.

What do you guys think?
drwex: (VNV)
I have to keep doing music as part of my long-term self-care and I would love to share more of it with you. I still don't have a good solution for dealing with the tags/searchability problem, though, so I'm still very limited. Today I've got two long-form sets that ought to keep your ears happy and your butts chair-dancing for a while. (Also you're gonna need it for the political spam that comes next.)

http://www.groovelectric.com/peoplesparty.html
It's been a long time since DJ Steveboy put out a straight-up funk mix. The idea of "new old funk" was what started me listening to Groovelectric years ago and though I enjoy a variety of his sets nothing is as consistently satisfying as the funk. Here we get nearly a full hour of lush horns, rhythms and vocals, plus a cover/remix or two that got my attention (and I promise not to spoil).

https://soundcloud.com/user-457571129/ummet-ozcan-presents-innerstate-ep-138
I have not been happy with most of the last few weeks in Innerstate Radio-land. Frankly too much glitch and wub, I find myself turning it off halfway through. This episode avoids that for the most part. There are also a couple of really nice summery tracks such as Ozcan's own take on "Everything Changes" with Chris Crone. I can't recall any other time I've heard an Ozcan track with simple naked guitar chords. Others, such as "Lady" are more dance-y but still leaning toward the full house sound rather than the edge-y glitch pop.
drwex: (Troll)
All my meetings today got cancelled (madness!) so let's see if I can turn out a music entry or two. I'm still hurrying so apologies if the research isn't as deep as at other times. I have both massive amounts of excellent funk and some long sets marked but I think I'll put the other things in here and save that for another entry.

http://www.groovelectric.com/resplendent.html
Grooevelectric's "Resplendent" is a lovely prog-house hour-plus with a strong electronica influence. I ended up playing this first time through one one of my late-night work sessions and I think it's perfect for that kind of thing. It's generally faster-paced than most prog-house stuff and the lack of vocals through most of it makes it good working background for me. Of the selections here I think I like Exoplanet's "Crystal Garden" best (https://www.youtube.com/watch?v=LqQwt8SMtI8) - here in its Mindaugas Jax remix form. I still think of this kind of music as the spiritual children of Jan Hammer, which is OK with me.

https://www.youtube.com/watch?v=zHDrHRmaQjQ
ANILAH gives us an extended interpretation of a medicine chant. In several Buddhist and Native American traditions a musical chant can be used for medicinal purposes. Some of them are mental - healing the minds of the chanters - while others are more literal prayers for healing of the bodies of people over whom the chant is performed. This particular rendition is more highly produced and has additional layered voices compared to chants I've heard before. Still a very deep and rich set of sounds.

https://soundcloud.com/awolnation/awolnation-i-am-steve-aoki-remix
Bridging back toward my more traditional sound selections, here's Steve Aoki's bouncy and energetic remis of AWOLNATION's "I Am" (https://www.youtube.com/watch?v=QLZkf6HvO2Q). The original is a low-key, vocal/piano-centric piece from which only the key vocal chorus survives in this remix.

https://soundcloud.com/sonsofmaria/sons-of-maria-angelika-vee-sweet-madness
I'm continuing to follow Angelika Vee in hopes she'll break out with something massive. In the meantime she continues to do reliably excellent work like this one. Here she's fronting for Sons of Maria on their "Sweet Madness" track. The Sons are a pretty traditional deep-house/prog-house act and as a result the track has a heavy production hand on it. Vee's vocals still shine through, but it doesn't have the raw quality of her live-with-piano tracks. Still waiting.

https://www.youtube.com/watch?v=9_xyJG6-xSs&feature=youtu.be
I knew I'd blogged about the Maitre Gims "Est-ce que tu m'aimes" a while ago, but hadn't properly tagged it. That entry has DJ Stokholma's electro-house version of the original. This time we have DJ Dark and DJ George A going at it with a cover that has a female vocalist and is much more of a techno-dance-style mix. VERY different feel from the original, which is almost a lover's lament. To make matters even more confusing, they've retitled their version "Je t'aime" which got me confused with the (in)famous Serge Gainsbourg track (https://www.youtube.com/watch?v=rp7mamCpdcc). That one I remembered from back in the 1970s when I listened to a bit of psychedelic pop, and then ended up reading its interesting history. It's interesting diversions like these that make these music entries take a while to write.
drwex: (Troll)
I have a surprising number of sets in my open tabs. Usually I listen to a set a couple times to decide if I like it, because every set is going to have better and worse bits. That's true here as well. Not only are the sets quite varied in style but some of them contain a variety of EDM and related modern tracks that I'm sure won't be to everyone's taste. The first person who implements a "skip forward" button for streaming music is likely to make a substantial sum of money. That said, though, these are solid sets from familiar names and well worth your time.

https://soundcloud.com/westwoodrecordings/sets/defunk-stepping-out
Defunk's "Stepping Out" EP is a glitchy, thoroughly modern, interpretation of classic funk and mid-80s hip-hop ideas. For my money, "Fire in her Eyes" is the best for its melodic pieces and rhythmic variations around a common theme. Defunk is still somewhat new on the music scene, having debuted last year. If, like me, you missed his earlier work I recommend going back and picking that up, as well. I love how he drops in little samples of this and that. Some are sufficiently close to original that I can recognize them but I'm sure there are many more I'm missing.

https://soundcloud.com/djroastbeatz/shindig-2016-mix
This is DJ Roast Beatz's actual set from the Shindig weekend. You may recall my adoring the warm-up set that he did. This one is not bad but it is more hip-hop and glitchy than the other set. It's OK, but I think I had my expectation bar set pretty amazingly high by the last set.

https://soundcloud.com/djmayajakobson/sunny-deep-poolparty-maya-jakobson-dj-mix-2016
DJ Maya Jakobson put out her summer pool party set and it's worth a listen. To be honest I don't think of deep house or electro-house as particularly pool party music but maybe that just means I go to the wrong pool parties. (different pool parties?) I'm on my third listen-through and I still haven't picked out a specific favorite from this set. I'm leaning toward the Aretha Franklin remix from Sam Halabi - I'm sure you're all shocked, but I love the way she snaps that "Aye" (I) and the remix supports the vocals quite nicely.

https://soundcloud.com/michamoor/house-sounds-radioshow-may-2016
This is exactly what it says on the label - a set of European house sounds. Micha Moor is from Cologne and this set gives his take on what's hot in the house right now. I like most of what's in this set and I like getting a non-US-centric view of things but I'm unlikely to link many of these sets unless something comes along to set them apart from the standard. On this set my favorite is "Fearless" from Matt Nash, despite the annoying promo in the set. If you want to get it without promo (and with bonus lyrics) go here: https://www.youtube.com/watch?v=2eE63jg9Y2A

http://www.djsteveboy.com/voiceofthemoon.html
DJ Steveboy is back with a so-called "drone" mix. I wish he'd pick a better label because drone isn't something I'd normally like listening to, but here we have about an hour and 20 of very relaxing aural wallpaper, mostly prog-house. Because the point of a drone mix is to keep the tempo and sounds similar it's hard to pick out one favorite. In addition, I've learned over the years that Steve mixes the tunes as he builds his sets. He's not just playing one track after another. You can find most of the component tracks on Beatport, but don't be surprised if they sound subtly different there.
drwex: (VNV)
I've been struggling with emotional downslides most of the week. Had something bad stuck in my head and went to get it out. Somehow this was sitting in my listening queue - so very appropriate with Passover starting this week:

http://www.djsteveboy.com/mlk.html
drwex: (Troll)
Having placed all the other things in the other post, this will be a collection of ... well, mostly house. But not entirely. If you're not in the mood for house you might want to skip to the end.

http://www.djsteveboy.com/manyhouses.html
First up, DJ Steveboy offers an hour-long sampler of some of his favorite house styles. There's prog and electro and deep all mixed in here. It's a fun mix, though I didn't pick out any specific tracks as particular stand-outs. It did inspire me to find some other things, which I've collected into the links below.

https://soundcloud.com/tommiesunshine/the-chainsmokers-new-york-city-tommie-sunshine-apax-remix
Tommie Sunshine gives us his remix of The Chainsmokers' "New York City". I liked the original (https://soundcloud.com/thechainsmokers/new-york-city) when it came out last year but I thought it was kind of repetitive in the middle. This remix is less repetitive and more dance-y.

https://soundcloud.com/gvrv-747544598/gvrv-i-feel-love
Ah, the queen of disco. GVRV's "I Feel Love" is a very standard house take on the track, kind of. It doesn't use as many elements of the original as one would like, but it's a good try.

https://soundcloud.com/pbhandjackshizzle/alan-walker-faded-pbh-jack-shizzle-remix
Another straight-up house dancer from PBH & Jack Shizzle, remixing Alan Walker's "Faded" (https://www.youtube.com/watch?v=60ItHLz5WEA). The original is a female-vocal-and-piano pop track with glitch electronica wrapped up in heavy production values. Despite the massive autotune it's not a bad track. Likewise the remix is not bad if you're in the mood for some straight-up house.

https://soundcloud.com/jenergy6/ec-twins-compass-djenergy
Still in the classic house vein, but with better vocals (I think) is Djenergy's "Compass", a remix of the EC Twins track (http://www.blackholerecordings.com/music/albums/ec-twins-compass/). The original is a feel-good dance banger - the remix keeps the power vocals but puts it over more thumpy beat lines and electro sounds. Both are not bad if you're in the mood for that sort of thing.

https://soundcloud.com/bodyheatmusic/msystem-alfa-spider-soundcloud
OK so I promised you all one thing that wasn't house and here it is. An utterly hard-rocking turbofunk track from Msystem. This has so many good chair-dancing things about it I had to include it. It's fast, hot, good horns, funky beats, and bad-ass stuttering electro-funk. What more do you want?
drwex: (VNV)
Right, I have these long-form sets around for you. Hopefully they'll ease some of the effects of going back to work. I've only listened to these a couple times and haven't had a chance to pick out favorite tracks. If something you hear really catches your ears leave a note in the comments.

http://www.djsteveboy.com/imminentdark.html
Yes, another DJ Steveboy Groovelectric set. Partly it's that I'm catching up on some of his back work (I'm on his mailing lists but don't listen immediately when new sets come out) and partly it's that he's had some really good work lately. This one, "Imminent Dark" is deep, somewhat tribal, and kind of intense in places. It does feel like the kind of music you'd be playing or dancing to late at night - some noir but with considerably lighter stretches.

https://soundcloud.com/djmayajakobson/back-2-back-party-mix-2015-maya-jakobson-yair-raviv
DJ Maya Jakobson (who I started following after stumbling over her work back in July) put out this screamin' hour-long end-of-year party mix last month in collaboration with fellow Israeli Yair Raviv, whose remix works appear often in the set. I find myself liking almost every track in this set but if you push it, I think Maya's work comes out on top - either the "How Deep Is Your Club" mix or the "I Love Sax" rework she did. I had a link to the DJs from Mars version she's using but that link went dead and now I can't find the track again.

https://soundcloud.com/vicetone/vicetone-end-of-year-mix-2015
Vicetone also did a year-end set mix of their own work and others' work they remixed. Obviously if you don't like Vicetones you'll want to skip this one, but I do and I particularly like how they've worked a variety of styles in. It's all house, with strong electro and techno influences and definitely geared to the kind of thing you'd play at a bouncy party.

https://soundcloud.com/innerstateradio/ummet-ozcan-presents-innerstate-ep-72
Just out a couple days ago is another Ummet Ozcan Innerstate mix. I haven't even done a full second listen-through so I don't have a lot to say except I think he's doing a good job of picking and promoting interesting new artists. Looking at the setlist I recognize fewer than half the names, which is always a good sign for a new year.

https://soundcloud.com/ninja-tune/solid-steel-radio-show-1112016-hour-2-cheeba-moneyshot
Unlikely to be most of my readers' tastes but it's part of mine and my LJ so here I blog it - an hour set from Cheeba & Moneyshot with a lot of great hip-hop, rap, scratch, and funk. Definitely somewhat old-school emphasizing the fast word-slinging and less of the things I don't like in more modern hip-hop.
drwex: (VNV)
While I was doing all that Serious Writing(tm) I accumulated a lot of interesting music. I'll split it up for now into two bits. This one is the long-form pieces.

http://www.djsteveboy.com/pastorale.html
DJ Steveboy's "Pastorale" mix is one of his drone mixes. I never liked that moniker because 'drone' has negative connotations for me and music. They're not quite easy listening either, but that's closer. These mixes are mostly deep house, so they're relaxed, often fewer BPM and sometimes down-tempo. They also have a more even feel throughout. I find them to be very good writing background music for just that reason - they don't call your attention with big crescendos and epic drops. The bad part is that there is rarely a stand-out track or two to talk about. So put this on, let it play, and get relaxed or focused as suits your needs.

http://thissongissick.com/blog/2015/gryffin-flight-log-002-winter-solstice-mix-free-download/
New (to me at least) producer Gryffin has a gorgeous set up as their "Winter Solstice Mix". I'm having a hard time characterizing this style - it's labeled as "cloud house" and yes it's house music of various sorts. It does have a lot of airy, dreamy, ethereal bits. Like the drone mix above, it tends to have a fairly even tempo but it's much more a set of songs than a continuous mix. I'm only on my third listen-through and nothing has jumped out at me as much as The Him's remix of "To the River" by Causes. I'm fond of the original and this remix is beautiful, a little more bouncy, and is one of the deepest pieces in this mix.

https://soundcloud.com/djsfrommarspodcast/2015-12-03a
And what would a set collection be without some DJs from Mars to pick you up? Trust me, if you've been lulled into calm by the previous two sets prepare to get jolted awake. The set starts with the heavy metal "Apocalypse Now" and continues extremely strong. JapaRoll's reword of "Knas" leads into the Klaas remix of "Can You Feel It" that then goes into a nice bootleg of "Star 69" and Bisbetic's remix of "Bang My Head" from Sia/Guetta. I could keep linking tracks or you could just listen to the set; I recommend the latter. Never fear, the DJs will appear in the next entry, too.
drwex: (Troll)
And I have these open tabs. There's not much coherent about them, so I'll just dump and let you guys pick and choose.

http://www.djsteveboy.com/funkwithoutborders.html
http://www.djsteveboy.com/slowlightning.html
Two very good but very different mixes from DJ Steveboy. The first is funk, funk, and more funk. It's the kind of thing that got me listening to Groovelectric in the first place - old funk, new-style funk, and funk-influenced things. I'm on my third listen-through and I still think my favorite is the 'regrooved' James Brown track.

The second mix, Slow Lightning, is a chill mix with a definite night-time feel. It's not, per se, slow - the BPM are high enough to keep things rocking along, but it has a lot of soft sound effects and sinuous beat lines.

https://soundcloud.com/drumcode/maceo-plex-conjure-floyd
This is a bit experimental for me and I'm still not 100% sure I like it. Maceo Plex brings in a deep, groovy house track that is at the same time urgent and understated. It's posted as a "techno" track and I can see why but what made me pull it out is the second half, which starts around 3:45 in. The track is called "Conjure Floyd" and this is where you really hear it. It reminds me of how creepy-as-hell I found The Wall to be when it first came out and how I liked listening to it with headphones so I could get all the stereo effects.

https://soundcloud.com/jenergy6/djenergy-are-made-of
OK, let's get back to more traditional A|B mashes. This one from DJ Energy mixes Rihanna and Marilyn Manson. It's an interesting concept and it mostly works. I like both of the original sources but I could've done without the long stutter build between the intro and main sections of the track.

https://soundcloud.com/djmayajakobson/maya-jakobson-how-deep-is-your-club-calvin-harris-disciples-vs-50-cent-vs-the-underdog-project-vs-maroon-5-and-more
I haven't heard anything new from Maya Jakobson in a little while despite adding her to my Soundcloud "following" list. This one popped out at me and now I share. It's an 8-way mash mostly built around two versions of "How Deep is Your Love" from Calvin Harris. I love the blend of the Harris track with 50 Cent's fast-talking rap even more than I love the base track which is my metric for a good mash.

https://soundcloud.com/trademarkvip/deep-talk-calvin-harris-x-kaskade-x-tove-lo-x-cuebrick
While we're on the Calvin Harris thing, here's another (very different) mix built around "How Deep". I particularly like the way DJ Trademark slams over to Tove Lo's "Talking Body". Sure, it's pop-on-pop and balancing the strong female vocals on both tracks is not easy but I think it mostly works.

I think we'll break here and pick up next week with some turbofunk. Yes, that's a tease, but it's a good one I promise.
drwex: (Troll)
Some overflow from the last post. Here are three long-form mixes that will occupy your ears for a while. All three in very different styles. The usual caveats about sets apply here - none of these is perfect. I have not had the time to listen through two or three times as I usually do to pick out my favorites so if something particularly strikes your ears leave me a comment.

http://www.djsteveboy.com/littlevictories.html
I'm starting to try and catch up on accumulated backlog and one of this things are DJ Steveboy mixes. This one actually came out in the summer and it's a lovely (if slightly dark) deep house set. The mix has a deliberate rainy-day vibe to it, which fits well with our usual late-October weather. I liked the mixing on this set - it ends up feeling seamless and well planned.

https://soundcloud.com/djroastbeatz/dj-roast-beatz-shindig-weekender-feast-of-fables-mix
If you are in a less chill mood, DJ Roast Beatz has 85 minutes of funk, hip-hop, rap, soul, dub, and associated fun things. Although there's a tracklist you will likely hear different versions if you chase individual tracks because this set was live-mixed so there are overlaps as well as spontaneous adds and fades. I like that the set has a lot of acapella pieces as well as some serious instrumental breaks, several of which show how influential the jazz riffs of the last century have been on the hip-hop of this century.

https://soundcloud.com/innerstateradio/ummet-ozcan-presents-innerstate-ep-59
Just use your imagination - yes, Ummet Ozcan is back with another of his Innerstate set mixes. An hour of fun dance, trance, vocal trance and other club tracks. This set includes both the Avicii "Faithless" remix and several other good items. The set is less coherent than either of the previous two, but that also makes it easier to skip over tracks you don't like.
drwex: (pogo)
One of my favorite DJs - Steve Boyett, who spins music as DJ Steveboy - recently lost his mother. He put together a playlist that I've been trying to listen through. It's hard, and crying at work is frowned upon, but here you go:

http://www.djsteveboy.com/ghostofherreply.html
drwex: (Troll)
Two weeks since I did a music post and I've got a weird assortment of stuff. I'll try to cohere it a little but this is likely another one of those "something to appeal to everyone" situations.

In this post I give you some long-form listens. I have a hard time putting these into the regular music posts because they tend to unbalance things. Click these links when you have the time to enjoy, or when you need a soundtrack to move you.

http://www.djsteveboy.com/catapult_ge.html
DJ Steveboy put together a delicious collection of deep house/electro house tracks. It's fast and energetic and it mostly avoids the dull repetitive bits that electro-house can devolve into. I was listening along and suddenly went, "Wait, I know that sound." A little research and it turns out I remember Moguai from a couple years ago. The track is called "Monkey Business" (https://www.youtube.com/watch?v=sMikf0KNMkw) a track I used to put on when I had to power through something boring. I find it impossible to be bored while this is playing.

https://soundcloud.com/tosses/tosses-raggabreaks-vol11
Raggabreaks is 35+ minutes of funky, reggae-inspired hip-hop. It's got scratch, rhyming, and as advertised it's all done in a ghettofunk style. That means it's a little more sped up compared to your traditional reggae/ragga rhythms but it also means you get more funky horns and uptempo jazzy pianohall bits thrown in. I think the combination works well. Unfortunately there's no tracklist so I can't name/link my favorite.

https://soundcloud.com/djsfrommars/2015-04-01a
If I have to explain DJs from Mars to you at this point I suggest you start with my previous references to them. This "Alien Selection" is a collection of a couple of the DJ's own works and a lot of awesome mashing goodness from other names. As with any selection, there are going to be things that appeal more to one listener than another (I can't stand Katy Perry, even heavily mashed). The overall style fits with the DJs usual "fun party" approach.

(I think the next post is going to be delayed while I re-listen to this set again.)
drwex: (Troll)
OK, right, Friday. Lots of music tabs to close so hold on tight. The first section is heavily funkalicious; the second group are remixes of favorite tunes.

https://soundcloud.com/father-funk/funk-aerobics
If more aerobics classes had soundtracks like this I might do some. It's Father Funk doing 37 minutes of funktastic remixes. It's all here: phat horns, electro-fuzzy bass lines, and solid beats. Oh, yeah, and free downloads.

https://soundcloud.com/looandplacido/beyonce-x-duck-sauce-x-syn-cole-x-merk-kremont-loo-placido-bootleg
Don't sit down just yet - Loo & Placido have another funk-dancing mix for you. This one is largely a Duck Sauce remix but it's got all kinds of goodness. It starts off fast, builds for a couple minutes, then has a nice brass + vocals interlude in the middle before thundering off again.

http://www.djsteveboy.com/blockpartyfunkblast.html
Oh yeah. Sexy, sweaty, core funk. This is why I first started listing to Groovelectric many years ago and I love when he comes back to his roots. There's so much to like here but my favorite bit is definitely the Beatangers' "Get Up Everybody." Unfortunately it's not online (except a randomly chopped sample) so I can't link it for you, but if you can piece it out of this mix you can get it on Beatport.

https://soundcloud.com/stilvortalent/oliver-koletzki-feat-leslie?in=stilvortalent/sets/svt140
This is "No Man No Cry" from Oliver Koletzki (who is German so most of the info I could find on him is not something I can directly read). I like the track and it's a great example of how modern music is still being influenced by funk. This track also has some heavy electro-disco and obvious 90s-era electro-pop influences, but that's not always a bad thing.

----------

OK switching gears now

https://soundcloud.com/sed-rah/sedrah-thumb-around-for-galvanize-mashup
Sedrah (or Se3drah) brings a very modern take on the classic "Jump Around", largely by mashing it up with another classic, the Chemical Brothers' "Galvanize". This ought to be a trainwreck, but it works surprisingly well, bouncing back and forth between the two sources.

https://soundcloud.com/rems79/adele-vs-alan-parsons-project
I could have sworn I was All Done(tm) with Adele remixes. Not that they're bad - it's just that when she burst into popularity you couldn't turn around without stumbling over three remixes and two mash-ups. This one is using her popular "Rolling in the Deep" but mashes it with the Alan Parsons Project. If you have no idea who that was, well, you're not as old as I am. Suffice it to say Alan Parsons and his partner created some of the weirdest and artiest output of the prog rock genre. Rems79 uses the Adele vocals over Parsons electronica in a stroke of genius.

https://soundcloud.com/rems79/mackelmore-feat-ryan-lewis-vs
Speaking of things I was Done With, here's Rems79 again with a Mackelmore mash. Except it's using Queen's legendary "We Will Rock You". It's almost like a cover version, very true to the original vocals, but with this unusual backing track.

https://soundcloud.com/looandplacido/ac-dc-x-showtek-x-muse-x-a-trak-justice-x-lil-jon-loo-placido-bootleg
Another Loo & Placido entry, this one falls on this side of the divide because it's built around AC/DC's awesome "Thunderstruck," which is one of those great tunes I never seem to get tired of hearing. (If you're like me, check this - https://www.youtube.com/watch?v=v2AC41dglnM - a vid that went up a couple years ago of a 1991 AC/DC performance of the tune; man, they were young back then!)
drwex: (Troll)
Looking back in LJ it seems like I only managed one music post in September. I lost a week to travel and have been catching up on my podcasts so there aren't a lot of open tabs to work with. Let me see what I can share with you.

https://soundcloud.com/luckyexplorer/i-was-made-for-confusion-rihanna-kiss-genesis-swedish-house-mafia-earth-wind-fire
How this avoids being an epic trainwreck mix is beyond me, but Luckyexplorer pulls it off. It feels mostly like a Genesis remix because the consistent vocal is "Land of Confusion" but in fact the music is all other samples, including a brilliant in-mix of "Last Night a DJ".

http://vimeo.com/105024106
Bob Mould's new album shows he's still got it. Here's this bald, gray-bearded man rocking hard on stage with guys half his age, sweat soaking his shirt just like it did 20 years ago. I still love his voice and the drive of his music. When he sings, "Listen to my voice - it's the only weapon I kept from the war" I get chills. I heard that Mould absolutely killed it as a dance club DJ; I'm just glad he's found a way back to his roots as well.

http://www.djsteveboy.com/spacebreaks.html
DJ Steveboy's "Spacebreaks" is psy-trance based but infused with funk, breakbeats and some lovely vocal bits. It also has a couple of surprises at the end that I didn't think would work but he pulls it together nicely.

https://soundcloud.com/mashupgermany/mashup-germany-ill-be-missing-you-dont-raise-your-glass
Digging through links I found this from three years ago. Mashup Germany taking a P!nk track and laying it over 9 other elements, including a favorite Daft Punk.

https://soundcloud.com/deem-mashup/battle-bridge
Another oldie that I just found: two years ago DeeM & Mister Nono did a nice three-way mash-up based on the music Tomoyasu Hotei did for the Kill Bill movies. I loved those movies and the soundtracks were excellent so it's fun to hear the music being used for other things.

https://soundcloud.com/johnnymashit/that-numb-hill
Blogging this almost entirely for the novelty. Kate Bush remixes are rare; mash-ups nearly un-heard-of. I'm not sure this one entirely works, but it's not awful either. Johnny Mashits is working with one of Bush's best-known and most pop-friendly tracks and he seems to understand how her voice works - the mash preserves that. Waddaya think?
drwex: (VNV)
A couple new items appeared in the stream today prompting me to do this overdue post. We've got a couple of things you don't hear often and some long-form listening to get you over these rains (or whatever the weather is doing when you read this). There's also a lot of really good old-style funk in here.

https://soundcloud.com/dj-moule/good-love-good-rock
For a while Joan Jett was a popular remix source then she kind of fell out of favor. DJ Moule brings her back in a mash against Led Zeppelin that hovers on the edge of trainwreck but ends up holding together. This comes out of the Fissunix Whole Lotta Mix set, linked below.

https://soundcloud.com/father-funk/get-up
Father Funk gives us an old-school style of ghetto funk with this "Get Up!" remix. This track is about a year old and they've got a bunch more stuff up on Soundcloud now that I plan to check out.

https://www.youtube.com/watch?v=a_bVp0S9LoA
https://soundcloud.com/slynk/stickybuds-bouncy-bouncy-slynk
Speaking of funking, it doesn't get a lot better than this. The original is at the first link: "Bouncy Bouncy" by Stickybuds & South Rakkas (featuring Rage). One of the best hard-edged electro-funk tracks I've heard since the style hit the dance floors. Lots of fuzz, some scratching, and some definite reggae influences. The second link is Slynk's remix, which is surprisingly toned down. It's a little faster and a lot more melodic, with less of the hard edge that the original has.

https://soundcloud.com/pimpdaddysupreme/bubble-bottom-girls-queen-vs
It's been WAY too long since I heard a really good "Fat Bottom Girls" remix. It's one of my favorite ignored Queen tracks. Mashing that up with Major Lazer is surprising, and it works, though I wouldn't necessarily listen to this outside of headphones at work. I know Lazer isn't to everyone's taste but I think it really works here. Fast-paced rap, Queen's harmonies, and... yeah, it's a concept I found myself grinning along with.

https://soundcloud.com/djschmolli/land-of-sonic-numbers
If you ever thought to yourself "I wonder what it would sound like if Phil Collins sang for Kraftwerk" then you are not me. Also, you're not DJ Schmolli who has produced this brilliant weave of two sources that don't get mashed approximately ever. Bonus points for choice of media samples that all us geeks will recognize.

https://soundcloud.com/reset-1/reset-x-holi-dance-festival-x-zero
RESET did this summer festival dance set and it's a pleasant surprise. It's less turbofunk than some of their previous efforts, but it's got definitely funky moments. Italy is kind of ground zero for nu disco and you can definitely catch some of those influences here but damned if this isn't some seriously great wailing horns.

http://www.djsteveboy.com/childrenoftherhythm.html
It's been a while since I linked one of DJ Steveboy's Groovelectric mixes. He's been experimenting with a lot of different styles and like any experiment there are some good and some bad. It's hard to recommend an entire set that's sort of 50-50. Steveboy also does a lot of his own mixing and alteration to the tracks he puts into his sets. You can usually pick up the originals on Beatport (and I urge you to do so - it pays the artists) but that's not necessarily going to be the exact sound that you get in the mix. Here, however, Steve has gone back to Groovelectric's "new old funk" roots and this one really rocks along.

https://soundcloud.com/fissunix/whole-lotta-mix
Fissunix has assembled ten tracks, all of which are based off of "Whole Lotta Love". There are some really good takes on this - I pulled out the Joan Jett mix above but you can sample for yourself. Of course, if you don't like the base track I advise skipping this one entirely.

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