My mood is shite this morning so rather than try to do a weekend round-up right away I'll start with the media consumption posts.
Saturday night we took the kids to see "Avengers: Age of Ultron". It was neither as bad as I'd been led to believe nor as good as I would've hoped for. All the rest is spoilers...
Joss Whedon is, among other things, known for writing ensemble scripts. He made his name with ever-larger and often shifting casts of characters on Angel, Buffy, Dollhouse, and Firefly - not to mention Agents of Shield. So when the question comes up "How are they going to handle adding three new characters to the Avengers?" the answer is "It's Joss - it's what he does." In this movie he manages seven major characters and as many important minors with adept hand. Everyone gets good screen time and the ensemble clicks.
Overall I felt the critics had something of a point. The film nearly buckles under the weight of all the fights and the need for the action to be bigger and more explosive. Paradoxically, the fights lack impact. There's no sense that anything hangs on the big action bits and the outcomes are all foreordained. What saves the film is when the camera moves in close. Even when it's a close bit of conflict, the tight one- and two-shot sequences make this film. I remember saying something similar about the first Captain America and it's very true for this film. For example, I felt less emotional impact from the threat of a giant rock smashing into Earth than I did from watching Hulk put aside his anger to take a place with the team protecting the bomb trigger.
(Aside: kudos to the SFX team that manages to make Hulk clearly show Mark Ruffalo's face, however altered.)
The other things that saves this movie for me is its embedding in the richness of the characters. Hawkeye (Jeremy Renner) gets an extraordinary amount of screen time and provides a human connection for the audience to empathize with. There's also the Black Widow/Hulk budding romance story, which is both brilliant in its execution and serves as a great foil for other characters to comment upon. The other characters are who they are, and that's not just a copy-paste from other stories, but a way for Ultron to understand them and use Scarlet Witch to attempt to destroy them. That they are who they are is integral to the story.
With all the good interpersonal interactions you'd think this film could manage to pass the Bechdel test.Nope. (ETA: in the comments it's pointed out that there is a meaningful exchange between Natasha and Clint's wife - technical pass.) Despite the larger cast, the reappearance of Agent Hill (Cobie Smulders), the presence of Black Widow/Natasha (Scarlett Johansson) and the introduction of a new female super-powered character in Scarlet Witch (Elizabeth Olsen) I can't think of a single significant interaction among them. I absolutely adore the scene between Hawkeye and Scarlet Witch in the bombed-out building, and how it was set up by an earlier interaction. But you could easily see how Black Widow might have a thing or two to say to her. Doesn't happen.
Instead Joss sets up the women as "the people who know things" and "the people who tell the others what's going on." In stereotype presentations, women are often confined to maiden/mother/crone roles. But there's also a "wise woman" archetype and it's interesting to see how many of the women in this movie fit that.
As she did in Captain America, Natasha shows she understands people and what they want, what they fear, and how to get close to them. She drives the relationships with Banner and with Hulk. Her line about "...picking up after you boys" that you see in the previews makes a different kind of sense when you see what she does within the team. I hear she's slated to appear in the next Captain America movie and I'm looking forward to that.
Clint Barton's wife clearly is his advisor. She guides not just the family but also schools him in how to relate to his Avenger teammates. When Hawkeye and Scarlet Witch have their little tete-a-tete it makes WAY more sense because we've seen how Laura Barton set it up. Between Wanda and Pietro it's clear she's the cooler-headed and directive member of the pair. She discovers Ultron's plan and guides her brother.
Even the women who never appear on-screen are spoken about as leaders. Pepper Pots "has a company to run" - she's directing Stark Industries, and Jane Foster is apparently in high demand as a scientific consultant around the world. All good things, but I can't help hoping we'll get to see more direct interactions. Talking (well) about women is no substitute for talking (well) to them.
The other thing I wanted to call out from this movie was Thor. We started out the Marvel universe movie sequence seeing him as an arrogant god who needed to find his humanity. We've seen him lose his mother and that has to be hanging over him. In this movie he shows, without necessarily calling a lot of attention to it, how comfortable he's become with his place. Watch him tag-team with Captain America in the fight scenes, for example. Watch his reactions when the other team members can't lift Mjolnir and then when Vision does. He's also the only one with a broader view - he realizes that someone or something is behind what's going on and he realizes he may be the only one who can figure it out. The next Thor movie has been announced but I don't know how it's going to tie in. I would be surprised if it didn't, though the title (Ragnarok) makes it seem like it's going to be more epic battles and less of the story and character stuff I like.
Saturday night we took the kids to see "Avengers: Age of Ultron". It was neither as bad as I'd been led to believe nor as good as I would've hoped for. All the rest is spoilers...
Joss Whedon is, among other things, known for writing ensemble scripts. He made his name with ever-larger and often shifting casts of characters on Angel, Buffy, Dollhouse, and Firefly - not to mention Agents of Shield. So when the question comes up "How are they going to handle adding three new characters to the Avengers?" the answer is "It's Joss - it's what he does." In this movie he manages seven major characters and as many important minors with adept hand. Everyone gets good screen time and the ensemble clicks.
Overall I felt the critics had something of a point. The film nearly buckles under the weight of all the fights and the need for the action to be bigger and more explosive. Paradoxically, the fights lack impact. There's no sense that anything hangs on the big action bits and the outcomes are all foreordained. What saves the film is when the camera moves in close. Even when it's a close bit of conflict, the tight one- and two-shot sequences make this film. I remember saying something similar about the first Captain America and it's very true for this film. For example, I felt less emotional impact from the threat of a giant rock smashing into Earth than I did from watching Hulk put aside his anger to take a place with the team protecting the bomb trigger.
(Aside: kudos to the SFX team that manages to make Hulk clearly show Mark Ruffalo's face, however altered.)
The other things that saves this movie for me is its embedding in the richness of the characters. Hawkeye (Jeremy Renner) gets an extraordinary amount of screen time and provides a human connection for the audience to empathize with. There's also the Black Widow/Hulk budding romance story, which is both brilliant in its execution and serves as a great foil for other characters to comment upon. The other characters are who they are, and that's not just a copy-paste from other stories, but a way for Ultron to understand them and use Scarlet Witch to attempt to destroy them. That they are who they are is integral to the story.
With all the good interpersonal interactions you'd think this film could manage to pass the Bechdel test.
Instead Joss sets up the women as "the people who know things" and "the people who tell the others what's going on." In stereotype presentations, women are often confined to maiden/mother/crone roles. But there's also a "wise woman" archetype and it's interesting to see how many of the women in this movie fit that.
As she did in Captain America, Natasha shows she understands people and what they want, what they fear, and how to get close to them. She drives the relationships with Banner and with Hulk. Her line about "...picking up after you boys" that you see in the previews makes a different kind of sense when you see what she does within the team. I hear she's slated to appear in the next Captain America movie and I'm looking forward to that.
Clint Barton's wife clearly is his advisor. She guides not just the family but also schools him in how to relate to his Avenger teammates. When Hawkeye and Scarlet Witch have their little tete-a-tete it makes WAY more sense because we've seen how Laura Barton set it up. Between Wanda and Pietro it's clear she's the cooler-headed and directive member of the pair. She discovers Ultron's plan and guides her brother.
Even the women who never appear on-screen are spoken about as leaders. Pepper Pots "has a company to run" - she's directing Stark Industries, and Jane Foster is apparently in high demand as a scientific consultant around the world. All good things, but I can't help hoping we'll get to see more direct interactions. Talking (well) about women is no substitute for talking (well) to them.
The other thing I wanted to call out from this movie was Thor. We started out the Marvel universe movie sequence seeing him as an arrogant god who needed to find his humanity. We've seen him lose his mother and that has to be hanging over him. In this movie he shows, without necessarily calling a lot of attention to it, how comfortable he's become with his place. Watch him tag-team with Captain America in the fight scenes, for example. Watch his reactions when the other team members can't lift Mjolnir and then when Vision does. He's also the only one with a broader view - he realizes that someone or something is behind what's going on and he realizes he may be the only one who can figure it out. The next Thor movie has been announced but I don't know how it's going to tie in. I would be surprised if it didn't, though the title (Ragnarok) makes it seem like it's going to be more epic battles and less of the story and character stuff I like.
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Date: 2015-05-04 06:50 pm (UTC)Any thoughts on The Vision? :)
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Date: 2015-05-04 07:05 pm (UTC)I like the character and the way he came to be. I like that they've fit him well into the story so far. I think it's going to be hard to manage him within the team but that's not so much about him as about the team getting too big. I do not expect to see Hawkeye in the next Avengers movie and I would not be surprised if Hulk wasn't there either. That opens up room for two, but they've got Scarlet Witch, War Machine, and Vision to fit in and none of them have had back-story movies. So all their synergy is going to have to come from in-Avengers development which is hard to do. Joss pulled off a LOT of it in this movie. If Vision has to share the screen with all the others he's going to get drowned out.
Now, from a canon/story perspective, it's clear he needs to be there as the wielder of that gem. I kind of wonder whether Loki's going to want it back or not since I totally expect Loki to get out of prison in the upcoming Thor movie. I'm also told there's another gem in Mjolnir but that would make things all kinds of awkward so I suspect they'll hand-wave that. So the Avengers are going to be in possession of one gem and I see it going one of two ways. Either they split the gems 2-2 and fight over the 3rd or it comes down to Thanos having 4 and then coming after the 5th, which centers the story on Vision. He seems (in this version of the Marvel universe) to be clever but not overly powerful.
What's not clear in either of these things is how they're going to play his character. He can potentially play the role of naif, able to comment on the team and humanity from an outsider's perspective or they could play him as the ultimate insider, with all the knowledge that Jarvis had accumulated. They played up his strength in the Net vs Ultron but I don't see that having a big future for him, so the question is what use is a guy who flies and shoots beams? OK I guess but what does he do that War Machine and Scarlet Witch don't do better? According to my kid in the comics he's got some powers to alter matter density - in theory that's how he shoved his arm through a robot and then re-solidified it to the robot's detriment - so that's maybe a thing. I think I'd rather see them play up the ability that the gem showed when in Loki's staff to affect the hearts and minds of people (except again he'll be treading on Scarlet Witch territory).
Does that help?
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Date: 2015-05-04 08:20 pm (UTC)The gems, as we have seen them so far:
Red - Reality Stone - "The Aether" - Held by The Collector
Blue - Space Stone - "The Tesseract" - Held by the Asgardians
Purple - Power Stone - No name given - Held by Nova Corps
Yellow - Mind Stone - No other name given - Held by Vision
Green - Not yet seen, name and location unknown
Orange - Not yet seen, name and location unknown
The two remaining stones are "Time" and "Soul".
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Date: 2015-05-04 08:59 pm (UTC)I also thought that the Tesseract was given to the The Collector and that it was the source of the stone he was playing with in Guardians of the Galaxy.
Pygment raised a question about timelines that I thought I knew the answer to but maybe don't now. Is GotG supposed to be contemporaneous with Avengers (in the movie universe) or not? I'm pretty sure that comic canon has GotG as time travelers from the far future but if that's true then how does the Tesseract wind up in Starlord's hand? (in the movie universe)
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Date: 2015-05-04 09:58 pm (UTC)no subject
Date: 2015-05-05 01:41 pm (UTC)If the movie-canon changes that to make it all contemporaneous I can see that being easier for coherently bringing everything together, but it's not clear to me from watching the GotG movie.
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Date: 2015-05-04 10:04 pm (UTC)GotG is reasonably contemporaneous with Avengers. Peter is taken in 1988, and the remainder of the film takes place 26 years later, so 2014. The first Avengers film was released in 2012, and didn't have a date named, but was presented as a "now".
Thor
In one scene where we are shown the vaults, you can see in the background the Infinity Gauntlet (minus stones, of course).
Thor: The Dark World
After capturing the Aether, the Asgardians take it to Taneleer Tivan, The Collector, for safe-keeping.
Tivan: If I may ask, why not keep it secure in your own vault?
Volstagg: The Tesseract is already on Asgard. It is not wise to keep two Infinity Stones so close together.
Tivan: That's very wise.
[...]
[handoff occurs, Asgardians leave]
Tivan: One down. Five to go.
Guardians of the Galaxy
When the Guardians bring the orb to The Collector, he provides some exposition while his machine opens the orb containing the purple gem.
Tivan: Oh, my new friends, before creation itself, there were six singularities, then the universe exploded into existence and the remnants of this system were forged into concentrated ingots... Infinity Stones.
[Picture behind him shows the six gems]
Big boom, then Star Lord takes back the gem, and runs. Ronan gets his hands on it, epic dance-off, bad-ass team moment, then Star Lord trolls Yondu, and gives the purple gem back to Nova Corps on Xandar.
Avengers: Age of Ultron
Scepter is shattered, yellow gem is placed in Vision, identified as the Mind Stone by Thor. Some might say that this shows that Loki was very much a loser, being unable to win a fight while having *two* Infinity Stones under his control. My opinion is that he is now exactly where he wants to be. (On the Asgardian throne, everybody thinks he is dead, and Thor doesn't want to rule.) (Loki has good plans. The assault on New York was not a good plan. Therefore, that wasn't his true plan.)
Thanos is tired of all this pussy-footing around with minions not following his script, takes out the Gauntlet, and declares his intent to go hunting.
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Date: 2015-05-05 01:50 pm (UTC)So, how does the Infinity Gauntlet get from the vaults on Asgard to Thanos's hands? I'm pretty sure we see him putting on the gauntlet at the end of A:AoU. (Also one of the best one-liners EVAR.). If Thanos somehow got the gauntlet out of that vault does that imply he also has the Tesseract?
It's not clear to me that Loki knew his scepter contained that gem. Ultron says something about "...not looking inside..." just before he pops the stone out so maybe Loki didn't? He certainly used its powers but not to their full extent. My kids tell me that in comic-canon the scepter (and presumably the stone it contained) was forged by the dwarves and given to Loki by Odin. So I can buy that Loki would not know the stone was in there.
I'm also unconvinced that movie-canon Loki is all that clever. His plans are often overridden by his ego or emotions. Thus, possibly dumb. Or rather, not dumb but he's a deceiver. He often seems not to have a back-up plan if people see through his deceptions. I had totally forgotten the ending that shows him on the throne of Asgard. I wonder what his back-up plan for THAT is.
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Date: 2015-05-05 03:00 pm (UTC)I think that in comics canon Loki's sceptre has nothing whatsoever to do with the Infinity Gems.
Neither did the Cosmic Cube, which is the thing the movie Tesseract is riffing on, though it's a lot more powerful in comics canon. (Which eventually was revealed to be a Shaper of Worlds egg, though I think Marvel has been desperately pretending that storyline never happened ever since.)
In general, Marvel is tying together a whole bunch of plot threads for the movies through the device of the Infinity Gems that in the comics are unrelated to each other and unrelated to the IGs. I have been impressed thus far with how smoothly they are doing so... the end result is actually way more coherent than the original comics canon it draws from.
Which admittedly isn't saying much.
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Date: 2015-05-05 03:13 pm (UTC)no subject
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Date: 2015-05-05 01:57 pm (UTC)Gods, childhood memories I haven't dredged up in decades.
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Date: 2015-05-05 02:53 pm (UTC)IIRC, he had a green Soul Gem in his forehead that was later retconned into being one of the Infinity Gems when that plot was created. (Canon Vizh doesn't have an Infinity Gem in his forehead, he just has a laser cannon there, because it looks cool and comics.) Warlock and Thanos have a whole backstory, too... I vaguely recall it being a time-loop thing where Warlock is his own worst enemy, or some such thing, but I may be confusing several plotlines.
IIRC, one of Adam Warlock's tribe was Gamora, whom we've recently seen in the Guardians of the Galaxy move. (Another one was a foulmouthed troll named Pip. I don't remember the others.)
The 60s and 70s have a lot to answer for.
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Date: 2015-05-05 03:28 am (UTC)no subject
Date: 2015-05-05 01:57 pm (UTC)no subject
Date: 2015-05-04 07:24 pm (UTC)I did think some of the Natasha/Bruce stuff and Clint's family felt a little "HEY, YOU REMEMBER THE NEW GUY, RIGHT?" (as TVTropes terms it)
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Date: 2015-05-04 09:03 pm (UTC)Dammit you made me visit tvtropes. I escaped.
OK so it's clear that Clint's family is intended to be a secret he's kept from the rest of the team (except Natasha). I totally buy that. I disagree about Natasha/Bruce, though. I think you get hints of it from their very first meeting and her dialog with Fury clearly indicates that SHE thinks HE expected them to fall for each other. If that makes sense. Again, I buy it.
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Date: 2015-05-04 10:44 pm (UTC)no subject
Date: 2015-05-05 01:59 pm (UTC)no subject
Date: 2015-05-05 10:48 pm (UTC)"HELLO CLINT! YOU ARE MY BEST FRIEND."
"HELLO NATASHA, WE ARE GOOD BUDDIES AND NOT AT ALL ROMANTIC!"
(Sorry for exposing you to the dangers of tvtropes. congrats on escaping! many try and fail.)
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Date: 2015-05-07 02:47 am (UTC)Anyway, these are all people who know comics canon way better than I do, and it's interesting that most of them DON'T choose to put those two together as anything other than super-intense friends. But I have no idea how much that relates to actual comics canon.
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Date: 2015-05-04 09:17 pm (UTC)no subject
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Date: 2015-05-05 12:12 am (UTC)Thanks for telling me about your reaction to the movie; that makes it all the more likely that I can get my husband to go to it. ;-)
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Date: 2015-05-05 02:25 pm (UTC)Absolutely agreed. It was something that kept striking me through the movie. Very well done.
With all the good interpersonal interactions you'd think this film could manage to pass the Bechdel test. Nope.
Actually, I thought it had. I remember a lovely little interaction between Nat and Clint's wife about the coming baby. They weren't talking about man, unless you consider the unexpected twist that the baby turns out to be a boy, which, I think, is a stretch and not in keeping with the spirit of the test. Or maybe I'm interpreting things incorrectly?
Regardless, it was a very believable and warm exchange that showed that they are good friends, very comfortable around each other and that Nat is very much a part of Clint's family life. I thought it was brilliant and gave the movie heart in the best places.
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