drwex: (Troll)
It's been hard listening to music lately. I can't tell if it's what's come up in the stream or my nerves being jangled but I find myself clicking off most tracks before they're a quarter done. So here's what survived:

https://soundcloud.com/dancerebels/dance-rebels-presents-will-k
Will K gives us an hour-long set of ... I'm not sure what. I left a comment asking for a track list because there are some really nice house, bounce, and generally fun EDM pieces in here. One thing nerds do is look at the shape of the sound profile and if you look at a lot of DJ sets the profile is remarkably uniform. The peaks and valleys you can see in the profile here are indicative of the changes in tempo and style within the set. It's a hot mix, suffused with good energy and not overrun by the latest pop confections.

https://soundcloud.com/bailemusic/sets/baile-1045
I mentioned Baile two entries back. This is another track off his Souncloud page and it's similar: minor key, somewhat downtempo instrumental work. I picked this one because it's got an interesting mix of glitchy squelch sounds with the sort of clear smooth harmonics you find in a lot of trance music. I plan to continue listening to his stuff and thought you might like to as well.

https://soundcloud.com/rickroblinski/massive-attack-teardrop-rick-roblinski-bootleg
This track started out with two marks against it: first, it's remixing one of my favorite tracks of all time, probably, Massive Attack's "Teardrop". Then the track starts off kind of monotonously and I'm all "c'mon, do something." Then the mixer - Rick Roblinksi - finally starts working with Elizabeth Fraser's vocals. And I remember why I fell in love with it the first time. It's a different tempo and it feels like the track could be tightened up, but I've not heard a better remix of Teardrop in a long time, if ever.

https://soundcloud.com/andrewbennett/andrew-bennett-feat-angelika-vee-fall-out-airbeat-one-anthem-2015
I've been keeping half an ear out for more Angelika Vee work and here she is again fronting for Andrew Bennett on "Fall Out", a classic summer trance-dance anthem. I wish there was more room for the vocals - I think those are the strongest parts of the track, particularly the builds. The electronica is OK but nothing spectacular.

https://soundcloud.com/team-fidanza/sean-paul-vs-deep-purple-vs
It's DJs from Mars. It's a Deep Purple "Smoke on the Water" mash. Do you really need to know anything more? I could wish they'd done more with the vocals - those are definitely the best parts of the track. But dammit, this is stompin' good.

https://soundcloud.com/dean-belz/shout-lean-on
The Lazer/Snake/M0 track is getting a lot of use these days. This one from Dean Belz keep threatening to descend into trainwreck and somehow does not. How you use "Lean On' to tie together Tears for Fears and RHCP is... well, listen for yourself.

https://www.youtube.com/watch?v=bgPVuPLg0BQ&list=TL66QvsNl4SMkxNjA3MjAxNQ
I've always been a believer in the power of music to make and reflect moods. In the trance community there's a stream of things that go as "uplifting mixes". They're deliberate attempts to use the tropes of EDM - particularly high-energy, high-BPM trance music - to inspire positive moods in the listener. I can't say I'm "uplifted" but listening to RAM's uplifting mix did put a good end note on my day.
drwex: (Troll)
As I write this, SoundCloud has changed its logo to a cloud on a rainbow background. I grin every time I glance over at it. Here, have some tracks to dance with, a set that begins and ends in beauty. ETA: I've been told that some of these may be "private" tracks, which means that even with the URL you'll need to be logged into SoundCloud to hear them. Since I leave myself logged in all the time I don't notice; if this is a problem for anyone please let me know.

https://soundcloud.com/beatsantique/major-lazer-be-together-feat-wild-belle-beats-antique-remix
I play this again and again because it's so beautiful and so unlike what I expect. It's Beats Antique remixing Major Lazer/Wild Belle's "Be Together". B.A. has a 'sound' that I expect and so does M.L. And this isn't either of those things. It's trance-y and it makes me want to grab a partner and dance.

https://soundcloud.com/djenergy-5-1/major-lazer-dj-snake-lean-on
Following the Major Lazer thread I found this - a DJEnergy bootleg of Lazer/DJ Snake/M0 doing "Lean On" (https://www.youtube.com/watch?v=YqeW9_5kURI). I really like the original - the strong snap rhythms and floating vocals - and the bootleg presents a sped-up version with added house dance tropes. I just wish they'd done a little more careful job with the vocals. The speed-up doesn't do M0's voice a lot of favors.

https://soundcloud.com/hirshee/the-police-message-in-a-bottle-hirshee-remix-free-download
I think I found this via Mashup Radio - it's a Canadian DJ who goes by Hirshee giving the Police classic "Message in a Bottle" a very modern treatment. It's dirty house dancing music mixed with a large helping of nostalgia.

https://soundcloud.com/the-mashup-wyvern/tove-lo-vs-vonikk-blazing-body-edm-mashup
Another Tove Lo mash-up, this time an A|B against Vonikk's 2013 electro-house stomper "Blaze" (https://www.youtube.com/watch?v=QHKz3r-jGMc). The DJ goes as The Mashup Wyvern - yes, really. The Blaze track is hard and heavy, so it has to be toned down quite a bit and moved into the background so it doesn't overwhelm Tove Lo's vocals. It's an interesting idea but not a combination I would inherently have picked. However, finding "Blaze" makes it all worthwhile.

https://soundcloud.com/mashupgermany/tanz-mal-samba
Mashup Germany builds what can only be called a "samba style" mash. It's got nine tracks, several of which are well-known dance tunes themselves, but the core is a German samba track that's adapted to club rhythms. Gotta love those moves and fast-paced vocals.

https://soundcloud.com/color-station/baile-leaves-feat-felicia-douglass
Normally I'd go out on a Mashup German track, but this one is so different it deserves the encore spot. This is so-called "slow house", which is almost downtempo, not quite minor-key dominated. It's definitely the sort of thing you end a set with, letting people wind down and filter off the floor. I found this by following a set of links from Class Actress, so it's no surprise that Felicia Douglass - the featured vocalist here - has a similar-sounding voice. Baile builds a more complex soundscape around the voice than I'm used to, with complex tempos and timing changes throughout.

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