drwex: (Default)
Here are some of the long-form pieces I've been listening to. Like most mixes they tend to have better and worse bits. All are worth the time it takes to stream them, though. I'm on my third or fourth listen to a couple.

http://simoniddol.com/post/20477014610/simon-iddol-spring-mix-download-01-the
Simon Iddol, the main force behind AudioPorn Central, puts out a big mix 2-4 times a year. This is his spring mix and as such it's lighter and very up-tempo. The overall feel is electro-disco and it includes a lot of instrumental segments, which makes it ideal background music for just about anything. It's got a jazzy feel and I adore him for choosing that first track.

http://www.themashupradio.com/2012/03/01/mashup-culture-the-album/
Mashup Radio has put together a massive collection of mashups that it's just calling "Mashup Culture". On the linked page you can listen to/watch half a dozen of the tracks. If you like those, there's a link to download the entire thing as a big ZIP file.

http://audioporncentral.com/2012/03/chromatics-kill-for-love-full-album-stream.html
Chromatics' "Kill For Love" full album stream. It starts off with the arresting Neil Young cover I mentioned in part 1. The rest is similar, but original, material. It's mellow, electro-disco stuff with heavy noire and light jazz influences. It's the kind of thing I would expect to be the soundtrack to a future dark and smoky club, if that makes any sense to you.

http://audioporncentral.com/2012/04/made-in-iceland-v.html
IMX brings us the latest "Made in Iceland" compilation. For such a tiny country they appear to have quite a lot of musical talent. There's a contribution from Gusgus, who have gotten some pop-radio airplay in the US, but the rest of the names are not known to me. The style of this connection seems to favor strong, often breathy, female vocals over spare arrangements, often with unconventional time signatures. I particularly like the Gusgus track - it's strong electronica.
drwex: (Default)
Two weeks since I posted any new music so there are a few things I want to talk about. This is another broad collection with something to appeal to lots of different tastes. I'm going to split this into two parts. First the single tracks...

http://vimeo.com/38177410
The Superhumanoids (http://superhumanoids.com/) are a new to me trio. They describe their style as "music to help kiss the doldrums away." This song, "Geri", is the first single from their upcoming album. Their sound is light and sweet in this track, unlike some of their more experimental past stuff, which you can listen to on their homepage or on Soundcloud. Even the experimental stuff has great vocals, too. Recommended.

http://soundcloud.com/johnnyjewel/chromatics-into-the-black
I've mentioned before that I think there are two ways to do covers of classic songs: the right way (respectfully) and the wrong way (disrespecting the original). Of course, like all of these things it's subjective and in my subjective opinion the Chromatics got it totally right, here. Neil Young's "Hey Hey, My My (Into the Black)" is one of my favorite of his tunes - and I'm not a big Neil Young fan. The tune lives on two things - Young's voice, which is surprisingly gentle on this track compared to so many of his others, and the iconic twangy guitar lines. The Chromatics manage to keep both things, but in a slower envelope that plays on both the beauty and sadness of the original.

http://www.youtube.com/watch?v=GzlW838Tn8c
I'm trying to remember who directed me to this so I can thank them. This is Elite Gymnastics doing "Here, in Heaven 4 & 5". It's slow ambient electronica with muted vocals, downplayed snap-beats (nice Art of Noise homage there). They're sometimes referred to as 'chillwave' - as if that term itself had any meaning. I recommend reading this review from Pitchfork which paints a much more nuanced view of their style. Also it gave me the name of the keyboardist I thought they were stealing from - Ryuichi Sakamoto - when I couldn't remember his name.

http://audioporncentral.com/2012/03/the-partysquad-lighterman.html
The Partysquad's (http://www.facebook.com/thepartysquad) "Lighterman" is definitely built from and grounded in old-style slow reggae, but they've fused it with a very modern up-tempo electro-dance beat style. If the banging electro style isn't for you then you may not like it. I love the way it shifts back and forth between the slow and slinking and the banging/bouncing.

http://audioporncentral.com/2012/03/lamb-butterfly-effect-ban-this-sick-filth-remix.html
Ban This Sick Filth remixes Lamb's "Butterfly Effect" (http://vimeo.com/35916779). The original is a kind of eerie electro that hums with barely contained energy. BTSF's mix almost doubles the track's length and draws out some of its more eerie effects, while giving it a stronger and almost tribal beat feel, as well as referring back to the kind of triphop Lamb used to be associated with. Sometimes I like a remix better than an original; in this case I think both are excellent and bring different things.
drwex: (Default)
I had meant to put this together on Friday and didn't. So.

http://www.youtube.com/watch?v=hyqAs52zoBc
http://hypem.com/item/1eg8k/JOHNNY+JEWEL+-+CHROMATICS+%2F+TICK+OF+THE+CLOCK+(Drive+Movie+Edit)
This is a really interesting study in how a track gets reworked for a movie soundtrack. The track is the Chromatics' 15-minute electronic space-fuzz oeuvre "Tick of the Clock." I mostly like the original and so did Johnny Jewel as he's lifted some of the best of its ambiance and souped it up for tension and pacing to go with the new movie "Drive". The movie edit is much tighter, much deeper bass, and one of the primary reasons I'm thinking about getting the movie soundtrack.

Interesting aside: I had been meaning to point to the Soundcloud posting of the movie edit but over the weekend it disappeared. Odd.

http://www.myspace.com/cleydysvillalon
I was curious to see what Cledys Villalon sounded like in other tracks and her MySpace page has two entries. "Porque" is a sparse, fast, breathy Latin track; "Que Pasa" is more electronic but retains the high BPM. In both she's sort of rap-singing but at her own unhurried pace. It's an interesting contrast - as though she's commenting on/with the music.

http://audioporncentral.com/2011/09/beni-ft-mattie-safer-someone-just-like-you.html
Beni's "Someone Just Like You" is a really pleasant moving house-dance number. No pretensions, nothing special, just some nice beats and good vocals.

http://artful.dj/welcome#
Artful, the DJ name of Mark Hill, who used to be Artful in Artful Dodger, has gone out solo and judging from the track featured on this site he's doing some really nice stuff. The track is "Could Just Be The Bassline" and it has lovely vocals from Kal Levelle (http://www.myspace.com/kallavellemusic) whose voice sounds familiar. Anyway, this is a pretty dance love song and the video is worth a watch, too.

http://soundcloud.com/midnightconspiracy/destroy
http://www.lp33.tv/artists/moneypenny/?sm_title=Moneypenny+-+Destroy&video=9663
I'm still working through the Midnight Conspiracy homepage and wanted to pull this one out as it's in the same vein as the Artful track. It's a somewhat hard-edged electro-house track, with some slinky and dark vocal samples on top. The original is also quite good, though less hard and with gentler vocals.

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