drwex: (Default)
Still catching up on end-of-year and best-of lists. I was particularly disappointed with Bootie this time. They list lots of mashes, most of which I've already heard, from a pretty narrow list of half a dozen artists. Here are two of the good ones, followed by some new-to-me stuff.

http://bootiemashup.com/bestofbootie2011/Best%20of%20Bootie%202011%20(Unmixed)/Lobsterdust%20-%20Roll%20It.mp3
Lobsterdust has been busy (see his 2011 mashed download page). This one, called "Roll It" is a pretty simple three-way of Salt 'n' Pepa's "Push It" and the Yeah Yeah Yeah's, with some A Trak thrown in for vocal variety.

http://bootiemashup.com/bestofbootie2011/Best%20of%20Bootie%202011%20(Unmixed)/Titus%20Jones%20-%20Dont%20Stop%20Believin%20In%20This%20Love%20On%20Earth.mp3
Titus Jones has a thing for female and high-pitched vocals. Here he's got another brilliant mega-mix with four current and past divas along with Journey and Bruno Mars who fit in just right. Notably lacking in Katy, it manages to work in a big helping of Ke$ha without setting off my teeth-grinding. And yes, it's got a standard party-banger beat in places, but what makes the mix work well is that Jones doesn't rely on a single beat throughout. He mixes it in and out, dropping both vocal and instrumental samples in.

http://rcrdlbl.com/artists/The_Limousines/track/Call_Me_Al_Paul_Simon_Cover
The Limousines (http://myspace.com/thelimousines) are a pair of guys who manage to walk the line between respect and irreverence in style. Here they're covering a massively (over)played Paul Simon track and doing it with verve and originality. They keep the signature trumpet and the vocals on the cover are similar, but there are fillips and flourishes and a modern electronic sensibility that re-infuse the song with fun.

If you know The Limousines at all, it's probably for "Internet Killed the Video Star", their biggest hit to date. Itself an homage to the (over)played Buggles tune "Video Killed the Radio Star" (sometimes called the MTV anthem). You can find the video and a free download of the MP3 for it on their MySpace page.

http://audioporncentral.com/2012/01/illegal-sunday-gotye-somebody-i-used-to-know-rey-kjavik-repaint.html
Gotye's quietly beautiful "Somebody I Used To Know" gets even more haunting and yet more soothing in this "repaint" from Rey & Kjavik. It's an extended mix that rolls gently along fading vocal bits in and out over snap rhythms and understated electronica samples.

http://audioporncentral.com/2012/01/amadou-mariam-ft-santigold-dougou-badia.html
Amadou and Mariam (http://en.wikipedia.org/wiki/Amadou_%26_Mariam) are a blind couple from Mali who perform traditional Malian music infused with modern electronic instrumentals - primarily guitars - and a wide variety of vocal styles, ranging from melodic choral backing to near-rap intense vocal fronting. The word "unique" gets abused a lot but I feel confident saying theirs is a unique sound and if you like afro-beat, tribal or Caribbean styles at all you'll recognize bits of those in here and - I think - enjoy it as much as I do.

http://audioporncentral.com/2012/01/illegal-sunday-mighty-mike-remember-my-dollar.html
Mighty Mike puts Blueboy's 2009 UK dance hit "Remember Me" (http://www.youtube.com/watch?v=GGIeJswiJU4) side-by-side with the modern soul track "I Need a Dollar" by Aloe Blacc (http://www.youtube.com/watch?v=iR6oYX1D-0w). Blacc brings both the Motown horn sound and the mournful vocals of great classic soul, which plays up certain parts of the other tune and gives the overall mash a wonderful chill.
drwex: (Default)
I had a meeting scheduled. Then it got bumped an hour. So I sort of can't start anything 'cause I'd have to stop for the meeting anyway. So, music. This week we have several beautiful pieces to listen to, and a special mash at the end.

http://jhameel.com/Site/Home.html
Jhameel reminds me a little of Prince in vocal style and he comes across as a little gender-bending, too. The music is gentle and fun and funky, with obvious electronic and disco influences. His site has a 5-track EP up for listening. Of the five I think I like "White Lie" the best - it's breathy and intimate and has sweet harmonies. Jhameel doesn't have the vocal power of Jamie Woon but he's very pleasant and heartfelt. Definitely worth your time.

http://rcrdlbl.com/artists/Tycho/track/Little_Dragon_-_Little_Man_Tycho_Remix
RCRD LBL has an 8-song stream up of Tycho music. It's all pleasant listening - mostly electronic instrumentals with some vocal samples and overdubs that drifts around trance-y and psy without ever getting intensely into either. I mean no insult when I say it's perfect background music. If you want more, Tycho have a good selection up on their site (http://tychomusic.com/) including both originals and remixes they've done.

http://audioporncentral.com/2011/12/sunday-girl-where-is-my-mind-pixies-cover.html
Sunday Girl here doing another cover, this time of The Pixies "Where Is My Mind?" S.G.'s cover is her bare and beautiful voice with a piano accompaniment and some strings that, honestly, I don't think are necessary. It's very different in style from the Pixies original but it has that same soul-felt intensity that made the song stand out in the original.

http://audioporncentral.com/2011/12/james-blake-a-case-of-you.html
James Blake (http://jamesblakemusic.com/) is a young singer/pianist/songwriter with some big brass balls and apparently the talent to back them up. I mean, what newcomer tries to cover Joni Mitchell on his first album? Blake does, obviously, and he does it proud here with a cover of "A Case of You." As with the Sunday Girl track, this cover is remarkably different from the original and yet holds onto the essence of the song. I remember listening to Joni growing up and I remember crying at the power of some of her music. I wonder what she thinks of this one.

http://audioporncentral.com/2011/12/dj-schmolli-live-for-somebody-that-i-used-to-know.html
I had barely posted last week's Jess Mills item when this one appeared in my stream. It's DJ Schmolli mixing Mill's awesome "Live For What I'd Die For" with Gotye's "Somebody That I Used To Know" (http://www.youtube.com/watch?v=5c2LeMytIdo). The latter was new to me so I went looking. It's a spare, emotional song that, in the original, is understated elecronics and muted vocals. Schmolli hooks the two up - the singers' vocal ranges are quite close - and amps them both up by building mostly on the Mills tune. The result is brilliant and moving, if not particularly mellow.

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