drwex: (VNV)
A couple new items appeared in the stream today prompting me to do this overdue post. We've got a couple of things you don't hear often and some long-form listening to get you over these rains (or whatever the weather is doing when you read this). There's also a lot of really good old-style funk in here.

https://soundcloud.com/dj-moule/good-love-good-rock
For a while Joan Jett was a popular remix source then she kind of fell out of favor. DJ Moule brings her back in a mash against Led Zeppelin that hovers on the edge of trainwreck but ends up holding together. This comes out of the Fissunix Whole Lotta Mix set, linked below.

https://soundcloud.com/father-funk/get-up
Father Funk gives us an old-school style of ghetto funk with this "Get Up!" remix. This track is about a year old and they've got a bunch more stuff up on Soundcloud now that I plan to check out.

https://www.youtube.com/watch?v=a_bVp0S9LoA
https://soundcloud.com/slynk/stickybuds-bouncy-bouncy-slynk
Speaking of funking, it doesn't get a lot better than this. The original is at the first link: "Bouncy Bouncy" by Stickybuds & South Rakkas (featuring Rage). One of the best hard-edged electro-funk tracks I've heard since the style hit the dance floors. Lots of fuzz, some scratching, and some definite reggae influences. The second link is Slynk's remix, which is surprisingly toned down. It's a little faster and a lot more melodic, with less of the hard edge that the original has.

https://soundcloud.com/pimpdaddysupreme/bubble-bottom-girls-queen-vs
It's been WAY too long since I heard a really good "Fat Bottom Girls" remix. It's one of my favorite ignored Queen tracks. Mashing that up with Major Lazer is surprising, and it works, though I wouldn't necessarily listen to this outside of headphones at work. I know Lazer isn't to everyone's taste but I think it really works here. Fast-paced rap, Queen's harmonies, and... yeah, it's a concept I found myself grinning along with.

https://soundcloud.com/djschmolli/land-of-sonic-numbers
If you ever thought to yourself "I wonder what it would sound like if Phil Collins sang for Kraftwerk" then you are not me. Also, you're not DJ Schmolli who has produced this brilliant weave of two sources that don't get mashed approximately ever. Bonus points for choice of media samples that all us geeks will recognize.

https://soundcloud.com/reset-1/reset-x-holi-dance-festival-x-zero
RESET did this summer festival dance set and it's a pleasant surprise. It's less turbofunk than some of their previous efforts, but it's got definitely funky moments. Italy is kind of ground zero for nu disco and you can definitely catch some of those influences here but damned if this isn't some seriously great wailing horns.

http://www.djsteveboy.com/childrenoftherhythm.html
It's been a while since I linked one of DJ Steveboy's Groovelectric mixes. He's been experimenting with a lot of different styles and like any experiment there are some good and some bad. It's hard to recommend an entire set that's sort of 50-50. Steveboy also does a lot of his own mixing and alteration to the tracks he puts into his sets. You can usually pick up the originals on Beatport (and I urge you to do so - it pays the artists) but that's not necessarily going to be the exact sound that you get in the mix. Here, however, Steve has gone back to Groovelectric's "new old funk" roots and this one really rocks along.

https://soundcloud.com/fissunix/whole-lotta-mix
Fissunix has assembled ten tracks, all of which are based off of "Whole Lotta Love". There are some really good takes on this - I pulled out the Joan Jett mix above but you can sample for yourself. Of course, if you don't like the base track I advise skipping this one entirely.
drwex: (VNV)
I haven't posted music lately because most of what I've been hearing has been either outright lame or "B+" at best. However, there are three important words for today's post:

New. Glitch. Mob!

http://theglitchmob.com/
Go here for album preview, new single, and tour dates. Boston show is 3/12/2014 at the House of Blues and I'm planning to be there. I was sad to miss their last show, which I heard was awesome, and I'd like a chance to see them live. Having more friends go with me would make it more better. The new single (https://www.youtube.com/watch?v=qKxDzyHPo0o) is called "Can't Kill Us" and it would likely make Trent Reznor proud. It's got the Mob's bombastic tones, but the electronica is dark and powerful.

https://soundcloud.com/dj_tigerlily/all-of-me-john-legend
This is a great bootleg of John Legend's lovely piano+voice piece "All of Me" (https://www.youtube.com/watch?v=450p7goxZqg) that came out in October. Legend has won (*checks*) nine Grammies and is a really talented singer-songwriter. That said, I'm still not a major fan. Here Tigerlily & Dem Slackers have taken Legend's vocals and built them into a nice little house dance number.

https://soundcloud.com/bodyheatmusic/reset-stealin-your-soul-fire
Back in January I noted Reset!'s Turbofunk number "Stealin' Your Soul" as a fantastic turn-it-up-loud tune with a couple remixes that were only just OK. Now comes Fire Flowerz with a remix worthy of the original. This one kicks it up another notch with a dirty fuzzy edge that fits well in the turbofunk spirit of the original.

https://www.youtube.com/watch?v=Hfi6BX2FNjA
https://soundcloud.com/designerdrugs/little-boots-meddle-designer
An oldie but still fun so here you go (the things I do to pad out a music blog, let me tell you). About six years go Little Boots put out an electro-pop number called "Meddle". It's a bouncy fun tune that is very much of its era. Plus I generally like Little Boots. Then there's the Designer Drugs - yes, that's their name - 80s Coke Jam remix. The remix strips out a lot of the pop notes, drops things down an octave, and gives it more of a dance beat. This is the sort of thing I play when I need to get my ass moving.

https://soundcloud.com/namdrik16/lorde-royals-reggae-remix
Because you can remix anything into anything, right? Rawnie Lovely (https://www.facebook.com/rawnielovely) has taken Lorde's massively popular "Royals" and redone it in reggae style. There have been lots and lots of remixes and most have been "meh". I think I flag this one (even though Miz A agrees it's in the B+ range) because I have a love for reggae in general.

https://soundcloud.com/nickraymondg/marvin-gaye-grapevine-autograf
Let's close out this sound set with a remix of a real classic. Marvin Gaye was justly called the Prince of Soul and "Heard It Through The Grapevine" was one of the sounds that defined Motown for the rest of the world. Autograf's remix is a blend of original soul and modern deep house that makes me wish Gaye were still alive.
drwex: (pogo)
Some seriously funky stuff in this batch, plus a surprise or two.

http://audioporncentral.com/2013/01/blende-surrender-circus.html
One of the things I like best about modern electronic dance music is that deep in the genome is funk. Sometimes it has to pass through disco to get here, but even that can be tolerable. This groovy funky dancey track is a collaboration of two UK-based artists who go by the names Blende and Surrender!. They have an EP coming out next month and this "Circus" is the first single off it. Boppin' good.

http://audioporncentral.com/2013/01/reset-stealin-your-soul.html
Last time I promised you TURBOFUNK and here it is. I do not believe it's possible to listen to this without turning it up loud. The track is by Reset! (http://soundcloud.com/reset-1) who are a new name to me but definitely now on my to-check-out list. There are two other mixes available, and of the three I think I like the original video version best. That's a narrow win, though, because both the vocal mix and the Monique Autoerotique remix are pretty good. Three times the turbo!

http://djsteveboy.com/groovelectric.html
DJ Steveboy's latest mix, "Chimera", is one of his funkiest, and finest in recent memory. It's got some good vocal bits, but the real win for me here is the middle acoustic sections, which spread across a variety of modern styles, all of which have some connection back to the base funk roots.

http://soundcloud.com/mashupgermany/mashup-germany-we-are-the
Mashup Germany continues to surprise and delight. He may be the most underrated mash-up DJ working today. Here he tosses off a casual 11-track beauty that I can't stop dancing to. This is a traditional dance-floor destroyer done beautifully. One of the things I like about his productions is that he's not afraid to let them be quiet for a bit. Listen from about 0:45 here to see what I mean. Then he starts to pull in "Kids" and the whole mix takes off. The bit up to 1:05 where the mix hits full stride is just brilliant, and who else would think of using "Tom's Diner" like that?

http://audioporncentral.com/2013/01/tegan-sara-fool-to-cry-produced-by-rac.html
I continue to think that one way to make the world better is to have more Tegan & Sara in it. This cover of the Rolling Stones' "Fool To Cry" was put together by RAC and it's a surprise and a delight. I'm not that fond of the original but the harmonies in this one really do it for me.

https://www.youtube.com/watch?feature=player_embedded&v=8e2fJfiddx4#!
This one I'm blogging because it took me by surprise. It's Heart, doing "Stairway to Heaven" as part of the Kennedy Center Honors Led Zeppelin. That's not hugely surprising, as Heart have done Zeppelin tunes for many years as part of their regular sets and the Wilsons have been forthright about how much Zeppelin influenced them. It was somewhat surprising to see them doing it with Jason Bonham and also how much I liked the orchestral arrangement. True, prog rock has a long and storied history of orchestral arrangements but part of what makes "Stairway" is its sparsity. The choral bits here just... work. The guest guitarist (unnamed here) is really good. And the bowlers are a nice touch.
drwex: (Default)
Due to holidays and absences and associated business I haven't had time to put a music post together. This time I want to bring to your attention two long-form listens that I haven't done in a while and talk about some new things as well. Plus there's the return of two long-absent voices you absolutely should hear.

http://www.djsteveboy.com/groovetime.html
I used to blog DJ Steveboy's sets regularly, then stopped for a variety of reasons. With any long-form set there are many chances to dislike it and I've felt that his sets haven't held together completely. There are good tracks and bad tracks and often I found myself stopping or skipping. Not this time. This is deep house done to perfection. The set is called "Roll Program" and among other things it's a tribute to the late Neil Armstrong, featuring samples of NASA audio and giving you that feeling of deep expanses of space, without drifting into annoying spaciness or irrelevance. I found this set immensely comforting for the moods I've been in.

http://audioporncentral.com/2012/09/featurecast-run-for-cover-full-album.html
Featurecast (http://soundcloud.com/featurecast) are offering a free stream of their first album and it's funkalicious! It's also got a wide mix of styles (electro jump around anyone?) and a lot of good featured performers. One of the best things about this album is that its variety exists not just for the sake of difference, but to promote the different styles. Within each style, though, there's solid funk and soul groundings and rapid-fire vocal expressions that tie the whole thing together. I'm only on my third listen-through and it's really hard to pick out a favorite track - they're all good.

http://audioporncentral.com/2012/08/reset-wind-up.html
Reset (http://www.wearereset.com/about/) are a five-man Italian music collective that nevertheless manage to give us an absolutely splendid fast-paced reggaeton track. My only complaint is that the version rendered for the video is too short and sort of broken up. It could easily stand to be a 4:30- or 5-minute track.

http://audioporncentral.com/2012/09/ruinmytune-dedication-to-my-boys-and-girls.html
Ruinmytune has been doing a number of mash-ups lately that I haven't been all that impressed by - he hasn't seemed to be adding anything to his excellent starting tracks. This, however, is a hot exception and worth a listen. I admit to a personal weakness, as I really like the Blur tune he's working from ("Boys and Girls" - does anyone NOT like this one?). The mix is four main tunes plus samples and it's got depth and you can hear the main tracks all the way through. Really a nice mash.

http://audioporncentral.com/2012/09/dead-can-dance-opium.html
What do you do when one of your favorite acts goes on hiatus for 12 years? You move on, of course, but you also remember how the music affected you and changed you back then. I remember in 1987 when their third album came out and a friend brought it over - they were hard to get in the US back then. When he found out I'd never heard of them he sat me down and had me listen all the way through the first three. It was intense and he never quite understood why I loved Lisa Gerrard's singing and really just tolerated Brendan Perry. If I'd heard this track, which is classic-style Perry at his best ever, I might have had a different opinion. The music is also classic DCD, with sweeping orchestral themes and tribal percussion, intensely layered and richly produced.

http://rcrdlbl.com/2012/08/08/stream_bob_mould_the_descent
Bob Mould is another one that lots of people haven't heard of and that's really a shame. Husker Du were one of the first bands to evolve a punk sound (which I didn't like) into an alternative approach (which I adored). They never lost the thrash and drive of that early music but they stopped being afraid of melody and harmony and Mould's voice grew to equal his guitar chops. His project, Sugar, first hit the air 20 years ago (man, I'm old) and in my opinion there aren't any hardcore alternative albums as good as Copper Blue. This is the first single off Silver Age, a new album that's said to be in the old style. Yeah, Mould still has it, despite the balding and the gray beard and the glasses.

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