drwex: (Troll)
Procrastination is me. I'm having a very hard time getting (keeping) going on things I ought to be going on, so let me write a few words about music instead. The top half is going to be electronic dance - I'll save the funky stuff for the second part. As usual the best is saved for last.

https://soundcloud.com/monstercat/tut-tut-child-dance-to-it
This tune, from a few years back, showed up on one of my Pandora stations recently. Tut Tut Child bring a hard-edged electro-dance sensibility to their "Dance To It" track. It has obvious dubstep influences and some people call it glitch hop but it doesn't have the hip-hop beats I'd expect from that. Instead, it has a get-up-and-move beat under electronic instrumentation and some fun vocal sampling.

https://www.youtube.com/watch?v=AnSVCsUs9Qc
J-Trick & Aristic Raw's "Crues-Lee" is a spiritual descendent of the previous track. This is 2016's electro-dance. Dub is out and it has more trance and ambient overtones, but it's still the same basic formula - 110 BPM or so, minimal or no vocals, and raw electronic instrumentation. This track has some nice change-ups and unconventional beats but like a lot of modern tracks it clocks in very short.

https://soundcloud.com/djandreone/andreone-djampo-falcon-original-mix-1
AndreOne working with Djampo on a prog-house dance track titled "Falcon". I like the basic track but the mix feels slightly 'off' to me, somehow. Does it sound that way to anyone else?

----------

https://soundcloud.com/copycat-edits/beastie-boys-brass-monkey-re
The Beatie's "Brass Monkey" always had major funk influences (just listen to the horn part, fr'ex) and here Copycat does a remix that plays up some of those elements. It's an interesting take on an old 80's favorite, but the original is still hard to beat.

http://fatherfunk.bandcamp.com/track/ray-charles-the-blue-brothers-shake-your-tail-feather-father-funk-remix
One of the great things John Belushi and Dan Aykroyd did in their "Blues Brothers" incarnation was make another generation of white folk aware of the great artists and music that they'd missed out on because radio was so heavily segregated. I had heard songs like "Shake Your Tail Feather" as a child and then forgotten them until I got to love Ray Charles's performance in the movie. Here Father Funk gives a modern update to the classic, with tribute to the movie along the way, but all in their trademark electro-funk style.

https://soundcloud.com/ghettofunk/official-ghetto-funk-podcast-07-shindig-weekender-2016
This... this is happiness for me, packaging so much into 80+ minutes. It's got memories and updated sounds and new twists on old favorites. Funky as hell, hip-hopping and soulful and jazzy and seriously rocking beats. It's the promo for the UK Shindig Weekender that I wish I could attend. Failing that I'll just listen through this set again.
drwex: (pogo)
Haven't heard much that really rocked my socks lately, but there's a thing or two and there are things other people have pointed at. Five things makes a post, I believe, and this is a dark silky collection.

https://www.youtube.com/watch?v=F18dARAGu-Y
MizA sent me this one, "Carnival" by Taschen, who seem not to have a Web presence I can find anyway. This is nominally 'world music' - an Afro-Arab-rooted piece with slinky electronica woven in. Pleasant listening for sure.

http://howtodestroyangels.com/
This one courtesy of [livejournal.com profile] cthulhia I believe. How To Destroy Angels is a collaborative project featuring Trent Reznor and his wife, whose vocals are featured on this track ("How Long?"). The band's sound has some of the characteristic industrial traces you'd expect but the mix is smooth and overall more electronica than anything else.

http://soundcloud.com/pyramidhall/saint-loulou-maybe-you-pyramid
http://soundcloud.com/pyramidhall/black-road
Last month I stumbled over Pyramid and went to check out his stuff online, which is somewhat sparse. These two tracks are worth hearing, I think, to get a feel for what he does. The first is a remix of "Maybe You" by Say Lou Lou (https://www.youtube.com/watch?v=2Q_WjSWTh2s). The original is a lonely, soulful bit of female-voiced electro-pop; Pyramid's remix has a little kick-beat that jazzes things up without losing the essential vocal feel.

The second track, "Black Road", is a Pyramid original. Like his "Wolf" remix, it's instrumental only, and has several signature changes through the track. It's a little on the 'bright' side of electronica for me, but it's not bad. It'll be interesting to see what else he puts out.

https://www.youtube.com/watch?feature=player_embedded&v=ANvRfOyqfiw#!
This is NR& (Nomi, Rampa, &ME) doing "Broken Toy". I forget who sent it to me originally so I had to re-track the components of this collaboration. Nomi (http://www.nomionline.com/) is Nomi Ruiz of Jessica 6, here fronting for Rampa and &ME (yes, that's his nom-de-music) of Keinemusik (http://keinemusik.com/) a German production collaborative. The sounds Nomi gives us here flow and meld beautifully with the dark electronica.

http://audioporncentral.com/2013/02/alicia-keys-brand-new-me-copycat-italo-remix.html
I keep saying I am not much for nu disco and then I keep finding exceptions to the rule. Sue me. Alicia Keys' "Brand New Me" gets a loving and soft remix from Copycat that respects both her vocal talent and the basic R&B piano style. It's Keys; it's nu disco. You know what to expect.
drwex: (Default)
We'll start with the easier stuff and save the more challenging sounds for the end.

http://audioporncentral.com/2012/06/the-very-best-ft-knaan-we-ok.html
"We OK" is a happy-pop tune by The Very Best (http://www.theverybestmusic.com/). The core of TVB is Esau Mwamwaya from Malawi and this song is one long shout-out to Africa in lyrics, language and rhythm. But it's also infused with modern Western pop and hip-hop sensibilities and features K'naan, himself an African (Somali) relocated to the West (Canada).

http://audioporncentral.com/2012/06/lana-del-rey-national-anthem-full-remix-pack.html#more-84715
Lana Del Rey's latest single "National Anthem" comes with a slew of remixes. All are worth listening to, though I think I like the Burns one best, giving you a variety of takes on the track. The video is also worth a watch, a very interesting play on modernizing the JFK/Jackie myth, with Lana as a modern/throwback First Lady and a black man president, along with two cute and obviously mixed-race children. The politics of this vid are as good as the music.

http://audioporncentral.com/2012/07/copycat-and-the-living-is-easy.html#more-84885
Copycat has a new "easy listening" set out. It's nearly two hours long and unfortunately there aren't individual uploads for most of the tracks. They're timestamped in the blog post, though so you can do a bit of skipping about. I think my favorite is Xtrafunk vs Ram Jam – "Lazy Sunday/Black Betty". Black Betty is a classic and has been remixed and mashed-up several times but this one is (surprise) extra funky and smooth.

http://audioporncentral.com/2012/07/urban-knights-under-mi-marka-sensi.html
This is one of those tunes I expect nobody but me will like, and that's OK. It's a hard-edged, slightly frantic mash-up of Dub Phizix (http://www.dubphizix.com/) a kind of weird electro-dub d&b producer with South Rakkas Crew (http://www.myspace.com/southrakkas#!) a gangsta/electro/regga/riddim duo. When I was a young adult this is sort of what I thought music would sound like in the future.

http://audioporncentral.com/2012/06/mumbai-science-lotus-alex-gopher-remix.html
Mumbai Science (http://www.mumbaiscience.net/) is a UK indie electro duo (of white guys, despite the name) that is heavily techno but dabbles in things like acid-house. Here Alex Gopher (http://soundcloud.com/alexgopher) a French remixer, does a number on their tune "Lotus". It comes out very electro, somewhat frenetic, and oddly paced.

http://rcrdlbl.com/2012/06/26/stream_nas_the_don_massive_attack_remix_
Nas is one of the few currently popular rappers who manages to avoid overloading his lyrics with n*/b*/ho outbursts. He's certainly not FCC-approved, which is just fine. His raps are fast and frequently smart. So what are Massive Attack doing remixing his "The Don"? Beats me, but I like the results. Electro-wub and hip-hop aren't close neighbors all that often so it's nice to see people trying something new.
drwex: (Default)
For once I'm actually going to follow up on a promise I made in a music post. Don't all faint at once.

"Nu disco" is a term that I hadn't heard before now but apparently has been around for at least the last few years (Wikipedia claims as early as 2002). It's generally a way to identify music that is either directly lifted from 1970s disco or that draws its themes from that era, but with a 21st-century spin. In particular, the production values on nu disco tend to be high, and the BPM and familiar riffs you'll find are more like techno/house dance music. The style is much more popular in Europe than in the US, and it tends to have europop and eurojazz influences. Like a lot of labels it's easier to identify by example than by talking about, so:

http://audioporncentral.com/2011/09/glass-candy-warm-in-the-winter-beautiful-object.html
APC calls Glass Candy (http://www.facebook.com/GLASSCANDY) "legends" of nu disco. I don't know about legends, particularly since the band hails from Portland OR, but these two tracks do typify the style as I understand it. Both are light, danceable, melodic, and have that fast-patter underlying rhythm. The vocals from Ida No are are pleasant enough but a little overproduced.

http://simoniddol.com/post/9742229326
http://www.youtube.com/watch?v=yjSLzqNISHA
Simon Iddol posted a mix with a heavy nu feel. I like most of the tracks, but since we're focusing on nu disco here, you may want to jump ahead to Golden Bug - Sex Beat (Jad and the Ladyboy Remix) which is the most nu of the tracks in the mix, I think. Golden Bug (www.gomma.de/goldenbug/) put this track out on a German EP and it has several remixes you can find on YouTube and elsewhere. This remix in particular has a lot of the dirty funk influences that nu disco uses. Dig that bass line! All it needs for perfection is a phat horn section. It's interesting to compare this track with the Glass Candy tracks. This one is down and dirty where theirs are lighter and cleaner, but both get filed as "nu disco". Go figure.

http://soundcloud.com/copycat/bergman-copycat-sometimes-1
A mellow track from Copycat and Bergman. It's labeled as electro-disco and it definitely trends farther over into electro than nu but you can definitely see how close a cousin this is to the Glass Candy stylings.

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