drwex: (Default)
Saw Gramatik at House of Blues. A couple new-to-me things:
- saw it with DJ Purple. We've been at shows together before but rarely had time to talk or whatnot
- saw it from the upper balcony seating. Usually I get seats on the lower balcony sides which have great view, good sound, and ample room to dance. Unfortunately, HoB has caught on to how desirable these seats are and they now sell at premium prices and often are available only on special offers.

So we saw the show from cheaper seats and the sound was loud but generally not unbearable. The sight lines were occasionally blocked by some conventionally attractive Millenial ass (*) but that turned out to be something of a blessing in disguise as the Gramatik lighting design involved the flashing strobes and lights-in-the-eyes-of-the-audience thing that annoys me. Why do DJ shows particularly do this? Is it because they're trying to hide how little actually is happening on stage? Cut it the hell out already.

The opening acts were both individual performers who played one instrument well and who should just go do that thing and not try also to be DJs. The first one was a trumpeter who very much wanted to be Timmy Trumpet and who was a fine horn player but really not very good with the turntables. The second was a guitarist who had the shred down pat but seemed really lost when it came to basic DJ duties like beat matching.

Fun of being at a show with a real DJ: she hears things like I do but has a way better vocabulary for describing them.

Eventually Gramatik came on and so did the BLIND THE AUDIENCE lights. Seriously, cut that shit out. If I wanted to listen and not watch I'd pull up a DJ set on Soundcloud. It wasn't quite bad enough for me to say "never again" as I have with other acts but it's a serious deterrent

Gramatik's stuff divides into two parts - there's older stuff that I call electro-funk, and then there's newer more glitchy stuff that's starting to be called "funkstep" (as in funk + dubstep). I have a preference for the former and that was about half the show. The other half was more glitch and wub than I typically like; however, it was moderated by bringing out the trumpet opening dude. Remember when I said that this guy should just stick to playing his horn and let someone else handle the board? Yeah, that combo worked extremely well, leading to some of the most interesting and danceable parts of the evening.

Some samples, as I expect most people haven't heard of let alone heard Gramatik:
1. https://www.youtube.com/watch?v=h8KnTyqki-o - From a few years ago, very much the electro-funk sound that first got me interested in them
2. https://www.youtube.com/watch?v=h8KnTyqki-o - a long funkstep set. Interestingly, this goes back to some of the even older rockabilly and soul influences they were doing around 2012
3. https://www.youtube.com/watch?v=ARtw9-W7vhQ - a bit from last year's RE|COIL EP that they were touring to support this time around

(*) I definitely was the oldest person in the building, which happens sometimes at shows I go to. Pygment confessed afterward that she was afraid I'd be mistaken for Purple's dad, which didn't happen, but I did have two people tell me I looked like Jerry Garcia. So, white dude with glasses and white hair/beard... yeah, OK. Not really but it's not an unflattering comparison. Of course then I had to explain to Purple who Garcia was - she knows bands much more than musicians.
drwex: (Default)
Except that they're about music and I like them.

http://audioporncentral.com/2011/09/the-young-punx-live-at-yokohama-arena-ft-koko-and-phonat-july-2011.html
First, a minor mystery. This is a recording of a live set by The Young Punx with special guests Phonat and one Koko. The Punx and Phonat are well known. Koko is the mystery. She's a big energetic black woman from London, but darned if I can find her online. She can rap and she can sing and I'd like to find more of her, but all the searches lead me to Koko Taylor or The Koko (a club in London). Anyone got a lead?

http://www.youtube.com/watch?v=YBSs3-RfLKk
http://www.youtube.com/watch?v=hOZgb0T7AM4&NR=1
Dum Dum Girls (http://www.subpop.com/artists/dum_dum_girls) are a post-modern take on an old-school girl band. Check out the live drummer and wah-wah Fender guitar sounds! The style reminds me more than a bit of the Go-Gos but with a more 60s-rock feel than the New Wave sounds Carlisle and Wiedlen were known for. Their harmonies are spare and somewhat simple, but still fun.

http://www.youtube.com/watch?v=JKSCDmuD70Q
In one of those odd synchronicities of the universe, Ott has been made known to me three times in the past couple weeks from three unrelated sources. Ott is kind of a strange mix - mostly he's known as a producer and for his work with Shpongle. His independent stuff sounds a lot like Shpongle, with rich layering, and multiple influences laid under an overarching psychedelic blend. He uses obvious dub, reggae and African elements; I also hear jazz-like syncopations and ambient electronic riffs.

http://www.youtube.com/watch?v=WbN0nX61rIs
The second single from Florence's upcoming album is out and it's not bad, but it didn't blow me away the way the first one did. This one feels much more heavily autotuned and her vocal edges are more muted - I think in order to do the orchestral blending with the chorus you first hear about 1:15 in. Since I suspect that the previous single was about something fairly creepy I'm still looking for disturbing meanings in the lyrics. The odd period video isn't giving me a lot of clues, either.

http://rcrdlbl.com/artists/Vetiver/track/Cant_You_Tell_Bings_Slim_For_Summer_Dub
Vetiver (http://vetiverse.com/) is not the typical thing I link to - it's a guy with a jangly guitar, almost country harmonies, whistled bits and... yeah. But there you are. Of the four tracks RCRD LBL has up I think I like the third one, "Strictly Rule", best. It's got a kind of smooth George Harrison feel to it.

http://dwa-digital.com/track/temple-of-love-feat-chris-harms-from-lord-of-the-lost
http://www.youtube.com/watch?v=jnFywphua50
The difference between a cover and a remix, demonstrated with two of my favorite tunes. The first is a more or less straight-up cover of the Sisters of Mercy classic "Temple of Love." It's a little more thrash and a lot less smooth and of course it lacks Ofra Haza who made the original soar like no other Goth tune before had done. Still, it's got passion and energy and it holds up well on re-listening.

The second is a remix by Gramatik of Zeppelin's "Stairway to Heaven", using the famous mournful guitar from that track, some hip-hop backbeats, and samples that fit in with the original's style and overall feel. If you like your classics unsullied then you probably won't like this one. What's interesting is that it shows faith to the original - as the SOM cover does - but in a very different way.

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