Except that they're about music and I like them.
http://audioporncentral.com/2011/09/the-young-punx-live-at-yokohama-arena-ft-koko-and-phonat-july-2011.html
First, a minor mystery. This is a recording of a live set by The Young Punx with special guests Phonat and one Koko. The Punx and Phonat are well known. Koko is the mystery. She's a big energetic black woman from London, but darned if I can find her online. She can rap and she can sing and I'd like to find more of her, but all the searches lead me to Koko Taylor or The Koko (a club in London). Anyone got a lead?
http://www.youtube.com/watch?v=YBSs3-RfLKk
http://www.youtube.com/watch?v=hOZgb0T7AM4&NR=1
Dum Dum Girls (http://www.subpop.com/artists/dum_dum_girls) are a post-modern take on an old-school girl band. Check out the live drummer and wah-wah Fender guitar sounds! The style reminds me more than a bit of the Go-Gos but with a more 60s-rock feel than the New Wave sounds Carlisle and Wiedlen were known for. Their harmonies are spare and somewhat simple, but still fun.
http://www.youtube.com/watch?v=JKSCDmuD70Q
In one of those odd synchronicities of the universe, Ott has been made known to me three times in the past couple weeks from three unrelated sources. Ott is kind of a strange mix - mostly he's known as a producer and for his work with Shpongle. His independent stuff sounds a lot like Shpongle, with rich layering, and multiple influences laid under an overarching psychedelic blend. He uses obvious dub, reggae and African elements; I also hear jazz-like syncopations and ambient electronic riffs.
http://www.youtube.com/watch?v=WbN0nX61rIs
The second single from Florence's upcoming album is out and it's not bad, but it didn't blow me away the way the first one did. This one feels much more heavily autotuned and her vocal edges are more muted - I think in order to do the orchestral blending with the chorus you first hear about 1:15 in. Since I suspect that the previous single was about something fairly creepy I'm still looking for disturbing meanings in the lyrics. The odd period video isn't giving me a lot of clues, either.
http://rcrdlbl.com/artists/Vetiver/track/Cant_You_Tell_Bings_Slim_For_Summer_Dub
Vetiver (http://vetiverse.com/) is not the typical thing I link to - it's a guy with a jangly guitar, almost country harmonies, whistled bits and... yeah. But there you are. Of the four tracks RCRD LBL has up I think I like the third one, "Strictly Rule", best. It's got a kind of smooth George Harrison feel to it.
http://dwa-digital.com/track/temple-of-love-feat-chris-harms-from-lord-of-the-lost
http://www.youtube.com/watch?v=jnFywphua50
The difference between a cover and a remix, demonstrated with two of my favorite tunes. The first is a more or less straight-up cover of the Sisters of Mercy classic "Temple of Love." It's a little more thrash and a lot less smooth and of course it lacks Ofra Haza who made the original soar like no other Goth tune before had done. Still, it's got passion and energy and it holds up well on re-listening.
The second is a remix by Gramatik of Zeppelin's "Stairway to Heaven", using the famous mournful guitar from that track, some hip-hop backbeats, and samples that fit in with the original's style and overall feel. If you like your classics unsullied then you probably won't like this one. What's interesting is that it shows faith to the original - as the SOM cover does - but in a very different way.
http://audioporncentral.com/2011/09/the-young-punx-live-at-yokohama-arena-ft-koko-and-phonat-july-2011.html
First, a minor mystery. This is a recording of a live set by The Young Punx with special guests Phonat and one Koko. The Punx and Phonat are well known. Koko is the mystery. She's a big energetic black woman from London, but darned if I can find her online. She can rap and she can sing and I'd like to find more of her, but all the searches lead me to Koko Taylor or The Koko (a club in London). Anyone got a lead?
http://www.youtube.com/watch?v=YBSs3-RfLKk
http://www.youtube.com/watch?v=hOZgb0T7AM4&NR=1
Dum Dum Girls (http://www.subpop.com/artists/dum_dum_girls) are a post-modern take on an old-school girl band. Check out the live drummer and wah-wah Fender guitar sounds! The style reminds me more than a bit of the Go-Gos but with a more 60s-rock feel than the New Wave sounds Carlisle and Wiedlen were known for. Their harmonies are spare and somewhat simple, but still fun.
http://www.youtube.com/watch?v=JKSCDmuD70Q
In one of those odd synchronicities of the universe, Ott has been made known to me three times in the past couple weeks from three unrelated sources. Ott is kind of a strange mix - mostly he's known as a producer and for his work with Shpongle. His independent stuff sounds a lot like Shpongle, with rich layering, and multiple influences laid under an overarching psychedelic blend. He uses obvious dub, reggae and African elements; I also hear jazz-like syncopations and ambient electronic riffs.
http://www.youtube.com/watch?v=WbN0nX61rIs
The second single from Florence's upcoming album is out and it's not bad, but it didn't blow me away the way the first one did. This one feels much more heavily autotuned and her vocal edges are more muted - I think in order to do the orchestral blending with the chorus you first hear about 1:15 in. Since I suspect that the previous single was about something fairly creepy I'm still looking for disturbing meanings in the lyrics. The odd period video isn't giving me a lot of clues, either.
http://rcrdlbl.com/artists/Vetiver/track/Cant_You_Tell_Bings_Slim_For_Summer_Dub
Vetiver (http://vetiverse.com/) is not the typical thing I link to - it's a guy with a jangly guitar, almost country harmonies, whistled bits and... yeah. But there you are. Of the four tracks RCRD LBL has up I think I like the third one, "Strictly Rule", best. It's got a kind of smooth George Harrison feel to it.
http://dwa-digital.com/track/temple-of-love-feat-chris-harms-from-lord-of-the-lost
http://www.youtube.com/watch?v=jnFywphua50
The difference between a cover and a remix, demonstrated with two of my favorite tunes. The first is a more or less straight-up cover of the Sisters of Mercy classic "Temple of Love." It's a little more thrash and a lot less smooth and of course it lacks Ofra Haza who made the original soar like no other Goth tune before had done. Still, it's got passion and energy and it holds up well on re-listening.
The second is a remix by Gramatik of Zeppelin's "Stairway to Heaven", using the famous mournful guitar from that track, some hip-hop backbeats, and samples that fit in with the original's style and overall feel. If you like your classics unsullied then you probably won't like this one. What's interesting is that it shows faith to the original - as the SOM cover does - but in a very different way.