drwex: (pogo)
...if you're me, at least. I'm seriously jonesin' for a source of new sounds that I can get at work. Meanwhile, up in the cloud...

https://www.youtube.com/watch?v=sx0x5aRPhgk
https://soundcloud.com/nickraymondg/foxes-youth-disco-fries-radio
Foxes. I keep thinking I've heard her voice before, but can't figure out where. A little net.surfing tells me she's been fairly hot in the UK for a year or so. She's being officially "introduced" to the American market with this track, "Youth", that she put out last year. It's got a fantastic set of drum bits and I like how they work with her voice. Most of the rest of the track is not-terribly-interesting standard electronica, but she appears to have real potential. The Vevo link is actually the start of a playlist that'll run you through most of her commercial stuff.

The second link is Disco Fries' remix of "Youth". It's a sharper-edged production that I think does a better job of featuring her than the official track. You have the same vocals and drums but instead of standard electronica there's a lot of variation, ranging from simple piano up through house sounds.

https://soundcloud.com/mashupgermany/mashup-germany-animals-anthem
https://soundcloud.com/mashupgermany/mashup-germany-i-am-coming
A Mashup Germany double-shot. The first one is an interesting exercise - it's using three different versions of the same track, two versions of a supporting track, and a little more this-and-that from three other tracks. If you're a serious music nerd like me you can track down the individual items and listen to the differences to see what M.G. is picking up. Or you can just kick back and enjoy the result.

The second track is another of M.G.'s 10-track assemblies. It seems unfair to call this a "Men At Work" mash but that's sort of the dominant sound/beat throughout. There are a ton of vocal bits throughout, but he's looped that signature bit... well, just listen and tell me if you disagree.

https://soundcloud.com/ssense/phaeleh-for-ssense
Last time I noted Phaeleh it was for trip-hop and this long-form set definitely has some of those elements though he labeled it "dubstep." There's no wub to speak of in here. Instead, it's largely quiet, moody, and cinematic sounds. Vocals tend to be muted in favor of orchestral sweeps and gentle beats. The tracks are all listed (one of the best parts of SoundCloud, imo) and you can explore at your leisure.

https://soundcloud.com/diplo/sia-ft-the-weeknd-diplo
Sia more or less burst into pop consciousness with "Titanium" (https://www.youtube.com/watch?v=JRfuAukYTKg). The tune gets credited to David Guetta most of the time but Sia wrote it and Guetta ended up picking her to do the vocals in part because of the demo of the track she recorded. Her stuff since then has been largely electro-pop (this track is not hillbilly nor really much soul, despite what the labels on it say). It's strongly voiced, richly layered vocal electronic pop. I particularly like middle part, starting around 1:40, which features more of her voice with only light accompaniment.
drwex: (pogo)
Yes, it's time to unload the backlog again.

https://soundcloud.com/djschmolli/dj-schmolli-pirate-nation
First, an 11-track mash of awesome and love. DJ Schmolli's fourth "Pirate Nation" collection has ten full tracks and one demo preview that range from the very modern and electronic way back to classic rock and roll and metal. I've only had time to listen to it once so far but I think the standout for me is going to be the Ellie Goulding/Martin Solveig mash at the core of "I Like The Lights Out".

https://www.youtube.com/watch?v=aZGydDAe02M
Panic Girl's latest is a nice mix of light and almost trancey vocal-pop but with a breathy dark underside. I've seen her music described as beautiful, dark, and fragile and all seem apt in varying degrees here. She's definitely at her best when it's stripped down and just her singing with the piano.

https://soundcloud.com/nickraymondg/disco-fries-murika-free
Thissongissick has been posting a ton to Soundcloud and this electro-house banger called "Murika" by Disco Fries (https://www.myspace.com/discofriesmusic#!) is one of my favorites of the past week. It's a song with a varied profile, not the typical steady-thump of house, almost a sampler of different styles. And yes, it's got a wub middle but I find myself liking it and bopping along despite the wub. The transition at about 3 minutes in is a genius move.

http://www.mashup-industries.org/mashups/scream-shout-on-the-floor-ay-rabiosa/
I had to blog this, if only because it amused the hell out of me for its use of Dan Balan, about whom I blogged in 2010. It's a nice five-way mash from Marc Johnce, with a fun Latin dance feel. But, really, can you resist going back and re-watching "Chica Bomb" after that? I couldn't.

http://audioporncentral.com/2013/04/fab-mayday-later-1982.html
The Italians really are rolling in the nu-disco this year. This is "Later 1982" by Fab Mayday (https://soundcloud.com/fabmayday) an Italian DJ and art director for several clubs - or so says his profile. This track mixes in a fair amount of retro europop sound which gives it a bit more edge than other nu disco tracks I've heard lately. This one sounds like a club opener - the kind of thing you'd play as people are filing in - it's extensive but not intrusive, and energetic without being too high BPM.

https://soundcloud.com/nickraymondg/vicetone-vs-nico-vega-beast
Another Thissongissick premiere, this one is tonally more relaxed than the previous banger, but still pretty driven. It's labeled "progressive house" and you can definitely hear the electronic influences, but it also rolls in some very heavy drums and male vocals that sound straight out of a 1970s-era rock ensemble. It's an interesting blend of styles that comes from the artists: Vicetone are a Dutch house duo who are working here with Nico Vega (http://nicovega.com/), an LA-area hard rock indie quartet. They got some minor fame recently as their song "Beast" was used in a BioShock Infinite game trailer and apparently also in a trailer for the movie Reacher, or so says Wikipedia.

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