Titanium

Sep. 30th, 2020 08:23 pm
drwex: (VNV)
https://www.youtube.com/watch?v=AvxAP6uDkr8&ab_channel=DJMag

A nice 10-minute piece from DJ Magazine with David Guetta (and now I know how it's pronounced!) talking about how Titanium came to be. It's always a challenge to figure these things out when you're on the outside - what part did Sia play, what did Guetta add? Of course this is his version and maybe someone else would tell it differently but he's fun and I enjoyed learning about the history, because I'm a music nerd. You're all surprised.
drwex: (VNV)
Been a while since I did a music post. There are a few open tabs - mostly different kinds of house tracks - but the real reason for doing this post now is the last item on the list. Yes, I'm making you wait, or encouraging you to jump ahead, as you wish.

https://soundcloud.com/housemusic/audio-bastardz-lets-git-ill
Audio Bastardz serve up a thumping electro-house track.with hip-hop vocals over high-energy dance rhythms. It's been a while since I was motivated to blog a straight-up house tune but this banger caught my ears at the right time.

https://soundcloud.com/the-homognic-chaos/epic-california-centuries-mashup-by-the-homogenic-chaosmp3
The Homogenic Chaos (yes, that's what he calls himself) offers up a California-themed mash. I can't count the number of tracks in this short mix but all have some connection to the state of CA, either by lyric, song theme, or identification of the artist with the state. It's an interesting conceit and a fun mash.

https://soundcloud.com/deejaytrademark/through-the-storm-alesso-x-tritonal-x-bastille-x-mako
Another new name - deejaytrademark from Chicago - offers up a very smooth four-way mash. I like this particularly because it's built around "Anchor" from Tritonal (https://soundcloud.com/tritonalmusic/anchor) a nice prog-house/vocal track from last fall that gets sampled a lot but not really well used in most of the mashes I've heard so far. This track uses a lot of the Anchor vocals and mixes them up and down through the other three tracks. It ends up with a really uplifting feel.

https://soundcloud.com/demslackers/elastic-heart-dem-slackers-bootleg
Dem Slackers contribute something they call a "tropical house" dance track version of Sia's "Elastic Heart". THe original is much more electro-pop and sparser. Dem Slackers have filled in the spaces and though the track still respects Sia's vocals it doesn't ride solely on them.

https://soundcloud.com/beatsantique/we-swarm-the-glitch-mob-beats
After I posted the Beats Antique cover last time, MizA sent me a list of related tracks that included this gem. It's B.A. remixing The Glitch Mob's "We Swarm" which is from their debut album. It's interesting to listen to it now and hear again how the Mob's style has evolved. Meanwhile, this track has those luscious horn sounds and dance beats that I love from Beats Antique. Two great tastes that taste great together.

https://soundcloud.com/mashupgermany/mashup-germany-promo-mix-2015-reboot-summer
If there was anyone among you who still doesn't know why I think Mashup Germany is the best, most underrated mashup artist playing today, give this a list. This is nothing less than a 100-minute flying, swirling mixing mash set. Like any set it has stronger and weaker moments but I'm amazed Mashup Germany is able to keep the transitions and mixes going for that long. I can't imagine trying to do something like this in real time and I wonder how long it takes him to plan it out. It's utterly brilliant.
drwex: (pogo)
...if you're me, at least. I'm seriously jonesin' for a source of new sounds that I can get at work. Meanwhile, up in the cloud...

https://www.youtube.com/watch?v=sx0x5aRPhgk
https://soundcloud.com/nickraymondg/foxes-youth-disco-fries-radio
Foxes. I keep thinking I've heard her voice before, but can't figure out where. A little net.surfing tells me she's been fairly hot in the UK for a year or so. She's being officially "introduced" to the American market with this track, "Youth", that she put out last year. It's got a fantastic set of drum bits and I like how they work with her voice. Most of the rest of the track is not-terribly-interesting standard electronica, but she appears to have real potential. The Vevo link is actually the start of a playlist that'll run you through most of her commercial stuff.

The second link is Disco Fries' remix of "Youth". It's a sharper-edged production that I think does a better job of featuring her than the official track. You have the same vocals and drums but instead of standard electronica there's a lot of variation, ranging from simple piano up through house sounds.

https://soundcloud.com/mashupgermany/mashup-germany-animals-anthem
https://soundcloud.com/mashupgermany/mashup-germany-i-am-coming
A Mashup Germany double-shot. The first one is an interesting exercise - it's using three different versions of the same track, two versions of a supporting track, and a little more this-and-that from three other tracks. If you're a serious music nerd like me you can track down the individual items and listen to the differences to see what M.G. is picking up. Or you can just kick back and enjoy the result.

The second track is another of M.G.'s 10-track assemblies. It seems unfair to call this a "Men At Work" mash but that's sort of the dominant sound/beat throughout. There are a ton of vocal bits throughout, but he's looped that signature bit... well, just listen and tell me if you disagree.

https://soundcloud.com/ssense/phaeleh-for-ssense
Last time I noted Phaeleh it was for trip-hop and this long-form set definitely has some of those elements though he labeled it "dubstep." There's no wub to speak of in here. Instead, it's largely quiet, moody, and cinematic sounds. Vocals tend to be muted in favor of orchestral sweeps and gentle beats. The tracks are all listed (one of the best parts of SoundCloud, imo) and you can explore at your leisure.

https://soundcloud.com/diplo/sia-ft-the-weeknd-diplo
Sia more or less burst into pop consciousness with "Titanium" (https://www.youtube.com/watch?v=JRfuAukYTKg). The tune gets credited to David Guetta most of the time but Sia wrote it and Guetta ended up picking her to do the vocals in part because of the demo of the track she recorded. Her stuff since then has been largely electro-pop (this track is not hillbilly nor really much soul, despite what the labels on it say). It's strongly voiced, richly layered vocal electronic pop. I particularly like middle part, starting around 1:40, which features more of her voice with only light accompaniment.

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