drwex: (VNV)
I have nothing coherent to say about Prince, nor am I likely to. But there is still music in my world and some of it is really excellent. I'll save the best for last, naturally.

https://www.youtube.com/watch?v=3jrFmB2CiL8
In case you didn't get enough house with your house last time, here is Pagano doing a remix of "Are You All Ready?" from Tony de Vit. It's energetic, high BPM, and with enough non-traditional influences to keep me interested. Like a lot of house tracks it can get a bit repetitive and I don't think it entirely does enough to justify eight minutes plus, but I prefer that to something chopped down to 3:30 that never has time to develop fully.

https://soundcloud.com/mrstabalina/going-crazy-scour-records-freemix
Mr Stabalina brings us a funky disco-y tribute to "Get Down". I'm far from an expert on sampling but I think they're pulling from the original Kool and the Gang track.

https://soundcloud.com/phaeleh/sets/all-that-remains-ep
I don't blog a lot of downtempo/chill stuff. It's not that I dislike it so much as I'm usually listening for music that'll boost me up and get me going during a workday. This is kind of relaxing-around-the-house evening music. Glass of wine optional. Phaeleh's new EP, All That Remains, has at least these two tracks and they're beautiful. Like a lot of this (sub)genre it skirts the edges of somber, particularly the opening of "Mountain". It's also heavily electronica, which isn't everyone's thing.

https://soundcloud.com/dj-soak/run-away-ft-anderson-paakthe-johnny-fresh-experience-rmx
Moving back uptempo, DJ Soak gives us "Run Away" with an interesting mix of styles. It's electro-house with some nu-disco feel. Mostly non-vocal, it's good background sound for focusing on other things.

https://soundcloud.com/theglitchmob/coachella-2016/s-TVuhu
OK, I did promise you something good so here it is. A new set posted by The Glitch Mob from Coachella this year. It's full of fun things, new things, and while it's not as good as seeing them it'll hold me for a while. Some of the tracks are Glitch Mob standards ("Drive it Like You Stole it"), and some are their favorite covers (the Daft Punk "Derezzed" is worth the price of admission on its own). There is also a great deal of edIT (one of the Mob core trio) which means the first half features more fast-pumping rap lyrics and hip-hop styling than you might be used to. Me, I love it - the lyrics are clever and the rapping is fast and tight.
drwex: (pogo)
...if you're me, at least. I'm seriously jonesin' for a source of new sounds that I can get at work. Meanwhile, up in the cloud...

https://www.youtube.com/watch?v=sx0x5aRPhgk
https://soundcloud.com/nickraymondg/foxes-youth-disco-fries-radio
Foxes. I keep thinking I've heard her voice before, but can't figure out where. A little net.surfing tells me she's been fairly hot in the UK for a year or so. She's being officially "introduced" to the American market with this track, "Youth", that she put out last year. It's got a fantastic set of drum bits and I like how they work with her voice. Most of the rest of the track is not-terribly-interesting standard electronica, but she appears to have real potential. The Vevo link is actually the start of a playlist that'll run you through most of her commercial stuff.

The second link is Disco Fries' remix of "Youth". It's a sharper-edged production that I think does a better job of featuring her than the official track. You have the same vocals and drums but instead of standard electronica there's a lot of variation, ranging from simple piano up through house sounds.

https://soundcloud.com/mashupgermany/mashup-germany-animals-anthem
https://soundcloud.com/mashupgermany/mashup-germany-i-am-coming
A Mashup Germany double-shot. The first one is an interesting exercise - it's using three different versions of the same track, two versions of a supporting track, and a little more this-and-that from three other tracks. If you're a serious music nerd like me you can track down the individual items and listen to the differences to see what M.G. is picking up. Or you can just kick back and enjoy the result.

The second track is another of M.G.'s 10-track assemblies. It seems unfair to call this a "Men At Work" mash but that's sort of the dominant sound/beat throughout. There are a ton of vocal bits throughout, but he's looped that signature bit... well, just listen and tell me if you disagree.

https://soundcloud.com/ssense/phaeleh-for-ssense
Last time I noted Phaeleh it was for trip-hop and this long-form set definitely has some of those elements though he labeled it "dubstep." There's no wub to speak of in here. Instead, it's largely quiet, moody, and cinematic sounds. Vocals tend to be muted in favor of orchestral sweeps and gentle beats. The tracks are all listed (one of the best parts of SoundCloud, imo) and you can explore at your leisure.

https://soundcloud.com/diplo/sia-ft-the-weeknd-diplo
Sia more or less burst into pop consciousness with "Titanium" (https://www.youtube.com/watch?v=JRfuAukYTKg). The tune gets credited to David Guetta most of the time but Sia wrote it and Guetta ended up picking her to do the vocals in part because of the demo of the track she recorded. Her stuff since then has been largely electro-pop (this track is not hillbilly nor really much soul, despite what the labels on it say). It's strongly voiced, richly layered vocal electronic pop. I particularly like middle part, starting around 1:40, which features more of her voice with only light accompaniment.
drwex: (pogo)
(anyone but me know the Subject line reference?)

I'm still sort of poking around new sounds and finding myself encountering a variant on Sturgeon's Law. To wit, if I listen to ten songs, I'm likely going to hate nine of them, but that tenth one, well listen along:

http://audioporncentral.com/2013/06/cadien-expression-of-self.html
Glitch-funk. It's a thing, apparently, and if this is it, I like it. Cadien (http://soundcloud.com/cadien) have a track here called "Expression of Self" that has a deep funk soul, but sped up and fed through some glitch filters. This sounds like something out of the soundtrack to a 21st-century blaxsploitation flick.

http://audioporncentral.com/2013/06/phaeleh-ft-soundmouse-here-comes-the-sun.html
Trip-hop is alive and well in the hands of Phaeleh (https://soundcloud.com/phaeleh), a UK producer who has previously been known for more dubstep-ish things. This "Here Comes the Sun" is from his upcoming album and features vocals by Soundmouse (https://soundcloud.com/soundmouse) a vocalist/pianist who has worked with Phaeleh in the past. This is gorgeous sound, artfully produced.

https://soundcloud.com/g3rst/g3rst-hollabeck-girl-gwen
G3rst put out a fun little A|B mash-up called "Hollabeck Girl" that puts Beck up against Gwen Stefani. He does a good job of pulling out what's best in each: Stefani's vocals over Beck's drums and guitars.

https://soundcloud.com/mashupgermany/mashup-germany-wake-me-up
https://soundcloud.com/mashupgermany/mashup-germany-wake-up-contact
Speaking of mashups, Mashup Germany has done a clever thing: two mash-ups of the same track, giving very different sounds. They're both built on Avicii's "Wake Me Up". The first uses Eagle Eye Cherry and the second uses Daft Punk. The contrast of jangly guitars versus electronica is fun.

https://soundcloud.com/nickraymondg/j-viewz-far-too-close-pegboard
Pegboard Nerds turn in a funky electro remix of J.Viewz' "Far Too Close" (https://www.youtube.com/watch?v=aTauZ7UVwRY). The original is highly produced track from a couple years ago that tries to combine poppy male vocals with electro-dub sounds and is sort of OK. The remix speeds things up, smooths them out and adds some serious dub/glitch drops. The build-drop from about 1:00 to 1:15 is fantastic. And the Alvin & the Chipmunks bit is hilarious.

https://soundcloud.com/nickraymondg/3lau-paris-simo-escape-feat
A four-way original track - a collaboration between 3LAU (http://3lau.com/music/) a totally bomb-tastic prog-house DJ; Paris & Simo (http://parisandsimo.com/) a Montreal-based DJ duo; and Bright Lights, a Spanish vocalist. The overall sound is prog-house, but the trancey vocals fit nicely.

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